Eboni Booth on Winning the Drama Pulitzer for ‘Primary Trust’
This play about a lonely, emotionally damaged man resonated with audiences returning to the theater after the pandemic.
This play about a lonely, emotionally damaged man resonated with audiences returning to the theater after the pandemic.
Abigail and Shaun Bengson muse on death in their latest work, but its looseness makes it hard to get a handle on.
This Molière in the Park production doesn’t have the sharp satirical bite of the original.
Benedict Andrews’s production in London offers perfectly pitched comedy where other directors find somber tragedy.
The first show to fall in the wake of the Tony nominations on Tuesday, this musical about an art world individualist was years in the making.
With choreography by Kate Prince and 27 songs by Sting, this story of refugees has impressive dance moments, but handles narrative and emotion tritely.
The Royal Shakespeare Company’s co-artistic directors have put together a challenging debut season. But many visitors come to Stratford-upon-Avon seeking something more traditional.
The production is to begin performances Aug. 29 at the Booth Theater.
O’Hara is an unusual kind of triple threat: a star of Broadway and television who is appearing at the Metropolitan Opera in a revival of “The Hours.”
Restaurant patrons and staff members are oblivious to the impending apocalypse in Abe Koogler’s new show at Playwrights Horizons.
She had been working on the semi-autobiographical musical for 13 years, and it earned 13 nominations.
Radcliffe earned his first nomination on Tuesday for “Me for his fifth role on Broadway since 2008.
It was a strong year for female directors, a play featuring music and American productions.
Responses to John McWhorter’s lament that their ubiquity has rendered them meaningless. Also: China and climate; kids’ reactions to news; debate conditions.
Shoshana Bean, Eden Espinosa and Lindsay Mendez received nominations for their roles in “Hell’s Kitchen,” “Lempicka” and “Merrily We Roll Along,” respectively.
This was the first nomination for Radcliffe, who has had five roles on Broadway since 2008.
Nominations for the 77th Tony Awards were announced on Tuesday. Here’s who made the list.
Broadway is in the midst of a rolling celebration. In nine days, 12 shows opened. Michael Paulson, theater reporter for The New York Times, explains how and why all these shows are rolling out the red carpet.
It’s a challenging time for the theater industry, but as the Tonys deadline approached each new show had reason to pause for a moment and celebrate.
Elfriede Jelinek’s latest play deals with collective calamity and individual grief, but is let down by a chaotic production.
In “Message in a Bottle,” a dance show opening at City Center, Sting’s songbook helps tell the story of a family fleeing conflict.
Steve Carell, William Jackson Harper, Alison Pill and Anika Noni Rose discuss the new translation of Chekhov that brought them to the farm.
The contenders from a crowded season will be announced by Jesse Tyler Ferguson and Renée Elise Goldsberry.
The revival of a 2006 work by Thomas Jolly, the director masterminding the opening ceremony at the Paris Olympics, shows his gift for visual flamboyance.
The parody show was scheduled to begin performances in July at the Helen Hayes Theater.
This past week has been jam-packed with openings. Our reviewers think these new shows are worth knowing about even if you’re not planning to see them.
A selection of entertainment highlights this weekend, including the film “Challengers,” which stars Zendaya.
Alternating between funny and bleak, the Public Theater’s latest production tackles race and the modern workplace.
The actress Jodie Comer recasts her Tony-winning turn in Suzie Miller’s hit play “Prima Facie” for a new novelization.
This musical adaptation, now on Broadway, is a lot of Jazz Age fun. But it forgot that Fitzgerald’s 1925 novel endures because it is a tragedy.
Jessica Lange stars as a ferocious matriarch alongside Celia Keenan-Bolger and Jim Parsons in Vogel’s latest family drama.
Sleek, lucid, amusing, often beautiful, it’s Chekhov with everything, except the main thing.
She made a classic wig and poodle skirt for “Grease” (using a bath mat and a toilet cover) and turned actors into Spanish inquisitors, British highwaymen and more.
The set and costume designer Tom Scutt has conjured a surreal, New York-inspired version of the fictional Kit Kat Club for the latest revival of the 1966 musical “Cabaret.”
The pandemic dealt a major blow to the once-thriving comedy form, but a new energy can be seen in performances throughout the city.
Cole Escola’s madcap comedy about the former first lady Mary Todd Lincoln will begin performances in June.
In this revival of Sarah Ruhl’s adaptation of the Woolf novel, now starring Taylor Mac, the flashes of comedy can’t make up for the loss of poetry.
Amy Herzog’s heartbreaker arrives on Broadway with Rachel McAdams as the alarmingly upbeat mother of a fearfully sick child.
One of Shakespeare’s most coveted roles for women gets different interpretations onstage in New York and Washington.
Every year, millions flock to Stratford-upon-Avon, England, to visit the house known as Shakespeare’s Birthplace. But was he really born there? A whole industry depends on it.
The new musical doesn’t take itself too seriously and has many winning moments — almost enough to eclipse the weaknesses of its story.
A party for the buzzy revival of the Broadway musical was held at a theater that has been transformed to look like a 1930s-era nightclub.
Michael Stuhlbarg and Will Keen shine as a kingmaker and his creature. But in Peter Morgan’s cheesy-fun play, it’s not always clear which is which.
At St. Ann’s Warehouse, this documentary play about a London fire is blood-boiling and aggrieved.
The new Broadway play conjures a group as dazzling as peak Fleetwood Mac. This is how five actors with limited training (one never held a bass) became rock stars.
Eddie Redmayne and Gayle Rankin star in a buzzy Broadway revival that rips the skin off the 1966 musical.
The retooled jukebox musical, with its top-notch performances and exciting choreography, “stands out as one of the rare must-sees” in a crowded season.
The current politically-driven suppression of theater productions in high schools has a grim historical precedent.
His new play “Patriots,” now on Broadway, follows Putin’s rise to power and the Russian oligarchs who mistakenly thought he’d be their puppet.
Despite a juicy premise, this Colt Coeur production, starring Tim Daly and Jayne Atkinson, never manages to take off.
“Every time I’m in the city, I make a visit,” said the actor, who is performing on Broadway in “Uncle Vanya.”
In David Adjmi’s new play, with songs by Will Butler, a ’70s band’s success breeds tension, and punches up the volume on Broadway.
Dozens of theater, film and media stars turned out on Thursday night for the opening of “Suffs,” a new musical about women’s suffrage.
David Saint, a theater director and a producer of the 2021 film version of “West Side Story,” is selling his duplex with a wraparound terrace in the East Village.
Shaina Taub’s new Broadway musical about Alice Paul and the fight for women’s suffrage is smart and noble and a bit like a rally.
The musical traces the story of Black twin sisters who pass as white, and exact their own form of justice for the crime of slavery, in 19th-century Texas.
T’s Culture issue looks at the many ways to begin.
We spoke to 150 artists, some planning retrospectives and others making their debut, to ask about the process of starting something.
Almost 50 years after it debuted, this classic Black take on “The Wizard of Oz” tries to update its original formula.
In “Staff Meal,” in previews at Playwrights Horizons, a restaurant becomes a refuge as the world ends.
“Agreement,” at Irish Arts Center, and “Philadelphia, Here I Come!,” at Irish Repertory Theater, have a timeless feel, rooted in their eras and resonant in ours.
In Bekah Brunstetter’s new play “The Game,” women withhold sex from their partners who are obsessed with a Fortnite-like game. Her previous work includes “The Oregon Trail.”
The 30-year relationship between Sally Hemings and Thomas Jefferson is the basis for Suzan-Lori Parks’s hilarious and harrowing nesting doll of a play.
Our theater critics and a reporter discuss the big winner — “Sunset Boulevard” — and the rest of the honorees at Britain’s equivalent of the Tonys.
Though the academic scene continues to imbue this coastal Connecticut city with a certain gravitas, surrounding neighborhoods are showing off their own cultural capital in the realms of art, food, music and more.
A musical about the groundbreaking Art Deco painter is vocally thrilling but historically a blur.
The musical, which stars Nicole Scherzinger, won seven awards at Britain’s version of the Tonys. And Sarah Snook won best actress for “The Picture of Dorian Gray.”
The theater says that allowing the assassination to be recreated there would undermine the gravity and significance of Abraham Lincoln’s death.
The Wooster Group’s staging of Richard Foreman’s play operates like a delightful love letter from one giant of experimental theater to another.
In Robert Icke’s adaptation of Parts 1 and 2 of “Henry IV,” the veteran stage actor’s performance belies his age.
The classic coming-of-age novel has become a compelling, if imperfect, musical about have-not teenagers in a have-it-all world.
What standing ovations, exclamation points and “irregardless” have in common.
In her new play, ‘Sally & Tom,’ Suzan-Lori Parks brings exuberant provocation to the gravest historical questions.
Commercial Off Broadway, a long-dormant sector of the city’s theater economy, is having a banner season. But can it last?
Rick Miramontez, a veteran theater press agent, is gearing up for the craziest stretch of the Broadway season.
“The Heart of Rock and Roll,” a Broadway show built around the songs of Huey Lewis and the News, has given the singer a reason to “get out of bed.”
For him, “art played a particular role in social change,” the director Mehmet Ergen said. “Everything was political.”
Proposed legislation would allocate $1 billion annually for an industry coping with rising expenses and smaller audiences.
Bernadette Peters and Lea Salonga will star in Sondheim’s “Old Friends” in Manhattan Theater Club’s Broadway season, which also includes “Eureka Day.”
As Shaina Taub’s musical opens, the show’s team members, including Hillary Clinton, say they’re ready to give the women’s suffrage movement a bigger platform.
The actress makes her Broadway debut in “Mary Jane” as the single mother of a seriously ill child. She views her acting choices as expanding her orbit.
Covid brought live performance to a halt. Now the audience for pop concerts and sporting events has roared back, while attendance on Broadway and at some major museums is still down.
In an effort to entice audiences back after the pandemic, Britain’s National Theater is testing a 6:30 p.m. curtain.
The small theaters that help make the city a theater capital are cutting back as they struggle to recover from the pandemic.
Readers discuss the decline in theater subscribers after the pandemic. Also: Northern Ireland; food allergies; a Covid playmate; anti-China bias.
Michael Paulson spoke with producers and artistic directors at nonprofit theaters across the country about the crisis their industry is facing.
As they struggle to recover after the pandemic, regional theaters are staging fewer shows, giving fewer performances, laying off staff and, in some cases, closing.
Suzan-Lori Parks wrote one play a day for 13 months during the pandemic. Those stories come to life onstage in the form of monologues, dialogues and songs at Joe’s Pub.
When shuttered venues embraced streaming during the pandemic, the arts became more accessible. With live performance back, and streams dwindling, many feel forgotten.
The veteran performance artist Karen Finley leads the audience through the troubles that plagued New York City at the peak of the pandemic.
A ceremony for the awards, celebrating work Off and Off Off Broadway, will be held Monday, but organizers decided to announce the winners in advance.
Broadway shows grossed $51.9 million during the holiday week, the most since 2019, and “The Lion King” set a record for the most earned by any show in a single week.
Stakeholders including Patti LuPone and Lynn Nottage share their real-time reactions to New York theater’s shutdown and reopening in Amy Rice’s documentary.
After one holiday season lost to the pandemic and another curtailed by Omicron, seasonal staples including “The Nutcracker,” “A Christmas Carol” and “Messiah” are back in force.
An annual survey, suspended during the pandemic, resumes and finds theaters nationally doing fewer shows and torn between escapism and ambition.
Responses to an essay that criticized Anthony Fauci’s handling of the pandemic. Also: Migrants as props; abortion rights; David Milch; theater’s lessons.
Some audience members are turned off by mask mandates. Others won’t attend indoor performances without them. Arts presenters are taking different approaches this season.
After a two-year pandemic delay, villagers in the German town of Oberammergau are once again re-enacting the story of Jesus’s life and death, with some changes.
“American Buffalo,” at Circle in the Square, is sticking with masking till it closes, July 10, citing the “proximity of the audience to the actors” and “the staging in the round.”
Beginning in July, Broadway will no longer require audiences to mask up. Actors and theater workers aren’t loving the idea.
Beginning in July, Broadway will no longer require audiences to mask up. Actors and theater workers aren’t loving the idea.
Most theaters stopped requiring proof of vaccination this spring. Now they are going “mask optional.”
“The Lehman Trilogy” won best play, “Company” won best musical revival and “Take Me Out” won best revival of a play at the 75th Tony Awards.
The musical, which opened in 2017, is the third to announce a closing in two days, as many shows struggle in a pandemic-softened marketplace.
The decision comes at a time when New York City has declared a “high Covid alert.”
At times it felt like a game of survival. But during a Broadway season unlike any other, productions showed their resourcefulness while learning how to live with Covid.
The musical, which shuttered temporarily in January as the Omicron variant spread, has struggled with the slow return of tourists to the theater.
While for-profit theater owners and operators agreed to stop checking proof of vaccination this week, several nonprofit Broadway theaters continue to require it.
Broadway enthusiasts, art aficionados and food lovers will find new offerings in and around Times Square and in neighborhoods below 42nd Street, heralding the promise of a vibrant recovery.
The revival, directed by Camille A. Brown, received strong reviews but struggled to attract audiences and overcome challenges posed by Covid.