
¿William Shakespeare fue un mal esposo? Una carta olvidada sugeriría nuevas pistas
Una nueva investigación socava la opinión tradicional de que Shakespeare fue un marido distante y negligente con su mujer, Anne Hathaway.
Una nueva investigación socava la opinión tradicional de que Shakespeare fue un marido distante y negligente con su mujer, Anne Hathaway.
Ryan J. Haddad follows up his Obie-winning “Dark Disabled Stories” with a rom-com.
New research undermines the traditional view that Shakespeare was a distant, neglectful husband to his wife, Anne.
The “Sunset Boulevard” star briefly entertained the crowd when “a technical malfunction on the sound side” forced the cancellation of a matinee performance.
Les Waters’s production for Atlantic Theater Company is marvelously realized, despite the limitations of the play’s often maddening script.
In “Floyd Collins,” playing a hardscrabble Kentuckian trapped while exploring a cave, the actor finds inspiration in the claustrophobic restrictions.
This Broadway production delivers lots of spectacle as it winds back to the teenage years of Henry Creel, an antagonist from the Netflix series.
One of the most performed and reimagined works of English literature becomes a fourth-wall-breaking musical revue.
One of the wonders of this glorious-sounding new Broadway production is how far from claustrophobic this Kentucky cave saga feels.
In a new book, the Broadway photographer Jenny Anderson captures the craft and camaraderie of making theater.
Jinkx Monsoon talks about feeling like a lifetime of hard work is finally paying off, and her return to Broadway as a zany maid in “Pirates! The Penzance Musical.”
“Glass. Kill. What If If Only. Imp,” a new collection of one-acts by the great British playwright, is a cause for celebration, wonderment and grief.
An actor, musician and writer, White is also now an in-demand stage director. “I am looking, I am hungry, I am searching,” she said.
Kimberly Belflower’s play, on Broadway starring Sadie Sink, gives high school students a chance to prosecute a #MeToo case against “The Crucible.”
The soprano Natalie Dessay and her daughter, Neïma Naouri, team up to explore one of theater’s most toxic mother-daughter relationships.
A big opening scene that took about two and a half years to perfect plunges theatergoers into the sci-fi world of the hit Netflix series.
Back on Broadway for “Old Friends,” the actress reflects on the art she saw with Sondheim and the delights of the High Line and Central Park.
Brandon Kazen-Maddox makes time for mud massages, meditation and aerial hoop adventures.
Like Nichols and May before them, Monteith and Rand had their own Broadway show. Unlike Nichols and May, they faded from view after they broke up.
Take in Shakespeare, experimental theater and a three-play series on the fallout of Brexit, all available to watch at home.
A trans woman comes out to her Hasidic Jewish father in this Off Broadway play that tussles with faith and family bonds.
En route to Broadway, the TV series about backstage shenanigans and Marilyn Monroe has been rejiggered, with the same great songs but a whole new plot.
The maternal embrace of young men and their battles figures in two very different plays, one a solo work and the other a Brechtian riff starring Jessica Hecht.
A new play by Robert Icke about a real-life police chase takes the form of an imagined trial.
Watch and listen to recent highlights, including Nicole Scherzinger on Broadway, a pair of Janacek operas and Cécile McLorin Salvant.
The new play, set 24 years before the start of the Netflix series, combines lavish spectacle with a cast of familiar characters.
Bernadette Peters and Lea Salonga lead the festivities in a new Broadway revue of the great musical dramatist’s work.
The composer and lyricist of “A New Brain,” “Falsettos” and other shows answered the pains of life with jaunty songs. He died this week at 73.
An acclaimed musical theater writer, he won for both his score and his book and later had a huge hit with “The 25th Annual Putnam County Spelling Bee.”
With the Off Broadway debut of his 1958 play “The Swamp Dwellers,” the Nigerian Nobel laureate looks back on the writer he was when he was starting out.
The It girl with the spit curl looks great for 100, but her Broadway musical, which feels like one big merch grab, is boop-boop-a-don’t.
At a gathering in the Broadway theater renamed to honor the star, speakers including Denzel Washington and Phylicia Rashad described Jones as an inspiration.
Times critics discuss the big winners — a new play about Roald Dahl, a “Fiddler on the Roof” revival and a folk-rock “Benjamin Button”— at London’s theater awards.
The show’s star, Jonathan Groff, and members of the creative team on how songs like “Splish Splash” and “If I Were a Carpenter” illuminate Darin’s life.
Nick Jonas and Adrienne Warren star in a muddy revival of Jason Robert Brown’s still-scathing musical.
Mona Pirnot’s comic ode to the downtown artist doubles as a meditation on the precariousness of playwriting as a creative life.
After more than 40 years as a stage and television actor, he broke through in “Heisenberg” as a butcher who has a romance with a much younger woman.
The play, about Roald Dahl’s antisemitism, took home three awards at Britain’s equivalent of the Tonys. So did a “Fiddler on the Roof” revival and a folk rock “Benjamin Button.”
The actresses talk about bonding over their nightly cram session, and have also compiled a playlist of some of the songs that get them going.
From her 1930 debut as a poodle-human hybrid to a modern-day symbol of empowerment, Betty Boop has had an unusual journey to the Broadway stage. Boop-oop-a-doop!
That morning workout he scheduled? He might get around to it. But Mr. Kirdahy is certain to make time for his friends and a quick trip to the theater.
New short plays by Caryl Churchill, a comedy with one erstwhile Derry Girl and a musical starring Anika Noni Rose — here’s what’s on New York stages this month.
As a play with parallels to today’s political climate had its official Broadway premiere, famous friends celebrated its star, George Clooney. He brushed aside talk of a political future.
George Clooney makes Edward R. Murrow a saint of sane journalism for a world that still needs one in a stage adaptation of the 2005 movie.
Looking for something to do in New York? Experience 4/20 with Cheech & Chong, sample some of Harlem’s finest musical offerings, or go on a journey with undersea puppets.
Sarah Snook, camera operators and other crew members bring to life multitudes on Broadway via an elaborate synthesis of live action, live video and recorded video.
Nina Hoss stars as a melancholic matriarch in Benedict Andrews’s immersive rendition of the classic at St. Ann’s Warehouse in Brooklyn.
The summer lineup will include eight premieres, including new works by Suzan-Lori Parks, Whitney White and Bobbi Jene Smith.
Protagonista con amplitud de interpretación que se ganó los elogios de la crítica, fue conocido por ser carismático pero impredecible. Abandonó Hollywood durante una década.
After disavowing her strict religious upbringing, Abby Stein came out as transgender. She is now the subject of a new play by New York Theater Workshop.
A wide-ranging leading man who earned critical praise, he was known to be charismatic but unpredictable. At one point he dropped out of Hollywood for a decade.
The Fisher Center at Bard has announced a wave of works by artists including Suzan-Lori Parks, Courtney Bryan, Barrie Kosky and Lisa Kron.
The actor calls his solo performance in Chekhov’s melancholy comedy an “endless experiment.” Even all alone, he can really fill a stage.
Compay Segundo escuchó “Chan Chan” en un sueño y con ella cambiaría el rumbo de la música cubana. Ahora esta canción figura en un musical de Broadway.
Kieran Culkin, Bill Burr and Bob Odenkirk star in a bumpy revival of David Mamet’s play about salesmen with nothing worth selling.
You can always consider telling the truth, but it may not be advisable in this case.
Alex Edelman HBO’s comedy special about white nationalism hits different now.
On stages across the country, there is no shortage of adventurous work, including plays by Lauren Yee, Larissa FastHorse and Zora Howard.
Rudin stepped away from show business four years ago amid reports that he had bullied assistants. He says he has “a lot more self-control” now.
The “Succession” actress plays all 26 roles in this Oscar Wilde classic reimagined as a video spectacle. If only there were less screen time and more IRL contact.
Brian Stokes Mitchell, Kate Baldwin and other top-shelf singers star in an overly sentimental production of the long-lost Kurt Weill and Alan Jay Lerner show.
Patrick Bringley stars in a version of his book, which tells how the Metropolitan Museum’s works of art helped him work through grief.
Elizabeth LeCompte and Kate Valk reflect on their decades of making daring theater together. Just don’t call it a nostalgic exercise.
Of all the “Buena Vista Social Club” songs, the beloved “Chan Chan” is the most recognizable. But figuring out where in the musical to put it became a challenge.
The London-based actress has been heralded as one of the most talented of her generation. Still, she worried audiences would balk at her “very unconventional Blanche.”
Descendants of characters in “Operation Mincemeat,” a hit British musical now in New York, have gotten more out of seeing it than a few catchy melodies.
Broadway is almost back, and pop music tours and sports events are booming. But Hollywood, museums and other cultural sectors have yet to bounce back.
Stagehands and other backstage workers have gone on strike against a prominent theater, and two productions have been canceled.
With less touring, it’s been a while since all the world has been its stage, but the troupe is working with the Chicago Shakespeare Theater — where it has family ties.
Mason, an associate director of “The Roommate,” which opened on Broadway last week, stepped in as Patti LuPone’s counterpart.
Broadway is still recovering from the pandemic. A state tax-credit program has helped, but watchdogs say it aids some shows that don’t need a boost.
Covid brought live performance to a halt. Now the audience for pop concerts and sporting events has roared back, while attendance on Broadway and at some major museums is still down.
In an effort to entice audiences back after the pandemic, Britain’s National Theater is testing a 6:30 p.m. curtain.
The small theaters that help make the city a theater capital are cutting back as they struggle to recover from the pandemic.
Readers discuss the decline in theater subscribers after the pandemic. Also: Northern Ireland; food allergies; a Covid playmate; anti-China bias.
Michael Paulson spoke with producers and artistic directors at nonprofit theaters across the country about the crisis their industry is facing.
As they struggle to recover after the pandemic, regional theaters are staging fewer shows, giving fewer performances, laying off staff and, in some cases, closing.
Suzan-Lori Parks wrote one play a day for 13 months during the pandemic. Those stories come to life onstage in the form of monologues, dialogues and songs at Joe’s Pub.
When shuttered venues embraced streaming during the pandemic, the arts became more accessible. With live performance back, and streams dwindling, many feel forgotten.
The veteran performance artist Karen Finley leads the audience through the troubles that plagued New York City at the peak of the pandemic.
A ceremony for the awards, celebrating work Off and Off Off Broadway, will be held Monday, but organizers decided to announce the winners in advance.
Broadway shows grossed $51.9 million during the holiday week, the most since 2019, and “The Lion King” set a record for the most earned by any show in a single week.
Stakeholders including Patti LuPone and Lynn Nottage share their real-time reactions to New York theater’s shutdown and reopening in Amy Rice’s documentary.
After one holiday season lost to the pandemic and another curtailed by Omicron, seasonal staples including “The Nutcracker,” “A Christmas Carol” and “Messiah” are back in force.
An annual survey, suspended during the pandemic, resumes and finds theaters nationally doing fewer shows and torn between escapism and ambition.
Responses to an essay that criticized Anthony Fauci’s handling of the pandemic. Also: Migrants as props; abortion rights; David Milch; theater’s lessons.
Some audience members are turned off by mask mandates. Others won’t attend indoor performances without them. Arts presenters are taking different approaches this season.
After a two-year pandemic delay, villagers in the German town of Oberammergau are once again re-enacting the story of Jesus’s life and death, with some changes.
“American Buffalo,” at Circle in the Square, is sticking with masking till it closes, July 10, citing the “proximity of the audience to the actors” and “the staging in the round.”
Beginning in July, Broadway will no longer require audiences to mask up. Actors and theater workers aren’t loving the idea.
Beginning in July, Broadway will no longer require audiences to mask up. Actors and theater workers aren’t loving the idea.
Most theaters stopped requiring proof of vaccination this spring. Now they are going “mask optional.”
“The Lehman Trilogy” won best play, “Company” won best musical revival and “Take Me Out” won best revival of a play at the 75th Tony Awards.
The musical, which opened in 2017, is the third to announce a closing in two days, as many shows struggle in a pandemic-softened marketplace.
The decision comes at a time when New York City has declared a “high Covid alert.”
At times it felt like a game of survival. But during a Broadway season unlike any other, productions showed their resourcefulness while learning how to live with Covid.
The musical, which shuttered temporarily in January as the Omicron variant spread, has struggled with the slow return of tourists to the theater.
While for-profit theater owners and operators agreed to stop checking proof of vaccination this week, several nonprofit Broadway theaters continue to require it.
Broadway enthusiasts, art aficionados and food lovers will find new offerings in and around Times Square and in neighborhoods below 42nd Street, heralding the promise of a vibrant recovery.
The revival, directed by Camille A. Brown, received strong reviews but struggled to attract audiences and overcome challenges posed by Covid.