
David Byrne’s ‘Here Lies Love’ Reaches Deal With Broadway Musicians
After the musicians’ union raised objections to the show’s plans to use recorded music instead of a live band, the show agreed to use 12 musicians.
After the musicians’ union raised objections to the show’s plans to use recorded music instead of a live band, the show agreed to use 12 musicians.
An adaptation of Miller’s 1950 screenplay about a Red Hook longshoreman’s killing gets its first American staging aboard the Waterfront Museum.
In Abe Koogler’s latest play, melancholy islanders try to band together to investigate where their beloved orcas have gone.
As you wait for the Tony Awards to start, try your hand at this literary title-search puzzle.
Ariane Mnouchkine, a grande dame of French theater, helped to set up a new festival where emerging companies can try out ambitious stagings.
Selections from the Weekend section, including predictions for who will win the Tony Awards on Sunday night.
Our theater reporter talked to one-fifth of the Tony voters ahead of Sunday’s ceremony. Here’s hoping they steered him right.
“It wasn’t a choice I would have made,” said Mark Russell, whose festival of experimental work will no longer be produced by the Public Theater.
Take a look at some of the artifacts from her archive, which includes 65,000 cross-referenced gags and is headed to the National Comedy Center.
The poor air quality sent a star offstage mid-play and forced the cancellation of one of Broadway’s most popular musicals, a classic revival, and Shakespeare in the Park.
A former railroad clerk, he didn’t became a full-time actor until his 40s, but he made up for lost time in films like “Rudy” and TV shows like “Everwood.”
The actress has been nominated for a Tony Award for her performance in the play “Prima Facie.”
Tori Sampson’s look at the Black Panther movement is a warm sitcom that becomes a jarring inquest into a real murder.
The ceremony honoring Broadway’s top shows and performers will take place at the majestic former “Wonder Theater” in Washington Heights.
The children of a severely alcoholic widower navigate his incapacity, and his legacy, in John J. Caswell Jr.’s pitch-black comedy about addiction.
In this “Pride and Prejudice” spinoff from Original Theatre, Jane Austen’s infamous knave attempts to set the record straight.
Will Keen embodies Russia’s president in a West End production. “It’s been fascinating how the perception of him and the play keep changing,” he said.
In “The Sign in Sidney Brustein’s Window,” the Tony Award nominee inhabits her character, a racist Upper Manhattan snob, in all her flaws.
Bonnie Milligan, a star of the musical “Kimberly Akimbo,” has been the lucky occupant of a rent-controlled apartment in Manhattan for 15 years.
In Craig Lucas and Adam Guettel’s jazzy new musical, Kelli O’Hara and Brian d’Arcy James are a glamorous couple succumbing to alcoholism.
In his haunting new play, Branden Jacobs-Jenkins updates the reunion genre with too much jungle juice and an otherworldly visitor.
Each year we photograph Tony nominees, and talk with them about their craft. This year we focused on actors.
In 1980s Manhattan, two medical students find themselves at the forefront of the AIDS crisis in David J. Glass’s new play at New York City Center.
He played a prankster and adoring father in “Toni Erdmann,” the Oscar-nominated 2016 comedy that made him an international star, but he had long been a celebrity at home.
Sarah Kaufman writes, acts, sings and makes podcasts and TikToks — and not to mention works a day job.
“This Land Was Made,” at the Vineyard Theater, is rooted in the playwright’s personal connection to a political movement’s awakening.
“The Motive and the Cue,” a new play in London, imagines fraught behind-the-scenes maneuvering by John Gielgud, Richard Burton and Elizabeth Taylor during rehearsals for a classic Broadway production.
Roundabout Theater Company’s flagship theater will honor Haimes, the transformational leader who died in April.
A new play about a sisterhood of sorrows brings something scary to the stage, but is delivering shocks and icks enough?
The show is a highlight of the Public Theater’s new season, which will also include plays by Suzan-Lori Parks, Itamar Moses, Mary Kathryn Nagle and Ife Olujobi.
More than 50 boxes of ephemera from the playwright and director’s career include notes on “Angels in America” and research for “Jelly’s Last Jam.”
The production, presented by the nonprofit Roundabout Theater Company, is to begin performances in February.
The play, which is scheduled to open in January, joins a string of Broadway shows that confront antisemitism in the U.S. and abroad.
Also among next season’s highlights: Encores! revivals of “Once Upon a Mattress” and “Jelly’s Last Jam,” and dance works from Pam Tanowitz and Lyon Opera Ballet.
He created sets for more than 50 of Broadway’s most celebrated productions, including “Hair,” “A Chorus Line,” “On the Twentieth Century” and “The Producers.”
Three new plays at theaters in Washington explore how the past is both erased and inescapable.
With two Tony Award nominations in a single season, this prolific costume designer lets textiles tell the story.
The show plans to use recorded music instead of a live band, but a labor union says its contract for the theater requires musicians for musicals.
From LaGuardia High School to Broadway, this Tony Award-nominated star has traveled many miles on her journey to theater stardom.
“Double Helix,” at Bay Street Theater, illuminates the British scientist’s contributions, which became the basis for James Watson and Francis Crick’s 1953 breakthrough.
After more than a decade of hit records with his brothers, he found success as a solo performer and a star of the series “Daniel Boone.”
In her adaptation of Lorca, Diane Exavier emphasizes the importance of belonging to a place, and how painful it is to consign memories of it to the grave.
A London revival of Andrew Lloyd Webber’s partner-swapping musical is a camp amoral romp. But is this obsession really the same as romance?
In Eboni Booth’s new play, William Jackson Harper performs with astonishing vulnerability as a man alone and adrift.
Audible Theater’s leader and the creator of “Sorry for Your Loss” hope the autobiographical comedy helps others learn to talk about grief.
Summer is just around the corner. We’ll help you navigate all the city has to offer — with some help from New York-based experts.
A new production of Matthew López’s seven-hour play was among 10 shows chosen for Theatertreffen, a celebration of the best theater from Germany, Austria and Switzerland.
Clubbed Thumb’s Summerworks festival opener, written by ruth tang, rages against the machines and examines human alienation.
A family processes its bereavement in the midst of a demonic haunting in Keelay Gipson’s new play for Bushwick Starr.
The screenwriters’ strike threatened next month’s broadcast, a key marketing moment for the fragile theater industry. That’s when leading dramatists sprang into action.
In roles in HBO’s “Succession” and “A Doll’s House” on Broadway, politics are never far from mind for the Iranian American actor.
Mira Nair’s 2001 movie about a couple brought together by their families becomes a song-filled pageant, with mixed results.
In this play by Guadalís Del Carmen, a couple’s shared heritage is integral to their meeting and the ups and downs of their daily relationship.
Drawing, music and writing can elevate your mood. Here are some easy ways to welcome them into your life.
The Children’s Theater Company production, based on the animated film, elevates the depiction of its characters’ religious and ethnic backgrounds.
His play “Do Lord Remember Me,” constructed from interviews with formerly enslaved people in the 1930s, was first staged in 1978 and has been revived multiple times since.
For the fragile souls in this new play, presented by Steven Soderbergh, a Buddhist group that once offered them solace loses its way.
A new West End adaptation, starring Lucas Hedges and Mike Faist, recasts Annie Proulx’s 1997 short story as a memory play.
The magazine’s Ethicist columnist on how to cast an upcoming rendition of “Fiddler on the Roof.”
Levi Holloway on his psychological thriller starring Laurie Metcalf: “It wears the jacket of horror. But I think it’s more heart than horror.”
Two men’s kindred obsession with a basketball player is the scaffold for Rajiv Joseph’s examination of male friendship at the Manhattan Theater Club.
In 1974 he decided it would be fun to parade through Greenwich Village with some of his creations on Halloween. A tradition was born.
The Tony Awards, a key marketing opportunity for Broadway, can go ahead in an altered form after the striking screenwriters’ union said it would not picket this year’s broadcast.
The strike by the Writers Guild of America is endangering the June 11 broadcast of the Tony Awards, one of the biggest marketing opportunities for an industry recovering from the pandemic.
Directed by Hansol Jung and Dustin Wills, this sportive, vividly acted production fails to make a convincing case for its new gags and directorial flights.
The Swiss director Milo Rau drapes a traumatic episode of Brazilian history with a Greek tragedy on a Belgian stage.
A small production that involves faculty and graduates largely mirrors Lawrence Ray’s yearslong exploitation of vulnerable students. Some of his victims object.
Colette Robert’s play takes aim at antiquated rites of passage, and how they can promote classism, colorism and retrograde gender politics.
Artists and dreamers sing of revolution in a musical set on the cusp of the birth of the Soviet Union.
The production, with a new script by Amy Herzog and directed by Sam Gold, will begin early next year.
The Off Broadway nonprofit will embrace risk, said Patricia McGregor, its leader, favoring fresh over established works.
The Writers Guild of America indicated it would not grant a waiver to allow a live telecast of the Tonys on June 11, threatening one of Broadway’s biggest marketing moments.
Much has changed for L.G.B.T.Q. people since Annie Proulx’s short story was published in 1997. But a new theatrical version is a reminder that homophobia is far from over.
A selection of entertainment highlights this weekend, including "Queen Charlotte: A Bridgerton Story."
The 17th-century play, staged by the theater company Molière in the Park, skewers those who preach morality yet practice anything but.
Mira Nair’s long-gestating musical, based on her 2001 hit indie film, arrives at St. Ann’s Warehouse.
In Marion Siéfert’s much-anticipated new show, the French director explores the dynamics of online grooming.
When it concludes on June 4, an unbroken string of Andrew Lloyd Webber shows since 1979 will come to an end. His latest opened only in March.
Suzan-Lori Parks wrote one play a day for 13 months during the pandemic. Those stories come to life onstage in the form of monologues, dialogues and songs at Joe’s Pub.
When shuttered venues embraced streaming during the pandemic, the arts became more accessible. With live performance back, and streams dwindling, many feel forgotten.
The veteran performance artist Karen Finley leads the audience through the troubles that plagued New York City at the peak of the pandemic.
A ceremony for the awards, celebrating work Off and Off Off Broadway, will be held Monday, but organizers decided to announce the winners in advance.
Broadway shows grossed $51.9 million during the holiday week, the most since 2019, and “The Lion King” set a record for the most earned by any show in a single week.
Stakeholders including Patti LuPone and Lynn Nottage share their real-time reactions to New York theater’s shutdown and reopening in Amy Rice’s documentary.
After one holiday season lost to the pandemic and another curtailed by Omicron, seasonal staples including “The Nutcracker,” “A Christmas Carol” and “Messiah” are back in force.
An annual survey, suspended during the pandemic, resumes and finds theaters nationally doing fewer shows and torn between escapism and ambition.
Responses to an essay that criticized Anthony Fauci’s handling of the pandemic. Also: Migrants as props; abortion rights; David Milch; theater’s lessons.
Some audience members are turned off by mask mandates. Others won’t attend indoor performances without them. Arts presenters are taking different approaches this season.
After a two-year pandemic delay, villagers in the German town of Oberammergau are once again re-enacting the story of Jesus’s life and death, with some changes.
“American Buffalo,” at Circle in the Square, is sticking with masking till it closes, July 10, citing the “proximity of the audience to the actors” and “the staging in the round.”
Beginning in July, Broadway will no longer require audiences to mask up. Actors and theater workers aren’t loving the idea.
Beginning in July, Broadway will no longer require audiences to mask up. Actors and theater workers aren’t loving the idea.
Most theaters stopped requiring proof of vaccination this spring. Now they are going “mask optional.”
“The Lehman Trilogy” won best play, “Company” won best musical revival and “Take Me Out” won best revival of a play at the 75th Tony Awards.
The musical, which opened in 2017, is the third to announce a closing in two days, as many shows struggle in a pandemic-softened marketplace.
The decision comes at a time when New York City has declared a “high Covid alert.”
At times it felt like a game of survival. But during a Broadway season unlike any other, productions showed their resourcefulness while learning how to live with Covid.
The musical, which shuttered temporarily in January as the Omicron variant spread, has struggled with the slow return of tourists to the theater.
While for-profit theater owners and operators agreed to stop checking proof of vaccination this week, several nonprofit Broadway theaters continue to require it.
Broadway enthusiasts, art aficionados and food lovers will find new offerings in and around Times Square and in neighborhoods below 42nd Street, heralding the promise of a vibrant recovery.
The revival, directed by Camille A. Brown, received strong reviews but struggled to attract audiences and overcome challenges posed by Covid.