
This Erotic Epic Is Marina Abramovic at Her Most ‘Insane’
The Serbian artist’s latest piece is a four-hour exploration of folklore and sexuality, featuring singers, dancers, musicians and film.
The Serbian artist’s latest piece is a four-hour exploration of folklore and sexuality, featuring singers, dancers, musicians and film.
Natalie Palamides and Julia Masli are among the stars of a new clowning movement that revels in the comedy of failure. How did these fools become prestige?
George Steinbrenner’s theater-loving granddaughter Haley Swindal is taking a big swing with a revival of the musical, slightly retooled for a new generation.
Bobby Cannavale, James Corden and Neil Patrick Harris talked about paintings that made an impression and, like their characters in “Art,” had questions about one another’s taste.
In this dark comedy about climate change, a meteorologist meant to maintain a “happy voice” can no longer reassure viewers that it’s going to be all right.
André De Shields does Molière, Romy and Michele take the stage and Bat Boy makes his return just in time for Halloween.
As director of Odéon-Théâtre de l’Europe, one of France’s top playhouses, Julien Gosselin is facing strong budgetary headwinds. But he’s keeping his vision big.
Before she became known as the snooty suburbanite Hyacinth Bucket, Ms. Routledge was an acclaimed stage performer, appearing with the Royal Shakespeare Company and on the West End and Broadway.
For a British soldier, a fatal night out breeds a hunger for revenge in Leo McGann’s suspenseful play at Irish Repertory Theater.
After his Tony win, Jonathan Spector returns with a dark, cerebral comedy involving academics and Stalin’s daughter.
The actress stars in a closely observed new drama by Preston Max Allen about addiction, class and the safety of a transgender 9-year-old.
Jon Stewart, Atsuko Okatsuka and Pete Davidson are just three stars making us laugh this month, while cosplayers and fans assemble for the ultimate geek fest.
The actor Tim Blake Nelson has penned a dystopian drama set in an unspecified future that puts forth lofty themes. Too bad it’s short on specifics.
Andrew Lloyd Webber’s “The Phantom of the Opera” returns to New York in an immersive spectacle, as silly as it is thrilling.
James Graham’s Broadway play tells the true story of how restorative justice brought together a young man who threw a fatal punch and the parents of the victim.
Lin-Manuel Miranda, Jonathan Groff and Kieran Culkin were among the headliners who came out to support Keanu Reeves and Alex Winter’s new collaboration.
Natalie Palamides’s mind-scrambling work oscillates between big laughs and pathos. Her show “Weer” is the first long run at the renovated Cherry Lane Theater.
Jamie Lloyd’s pristinely chic Broadway revival of the existential tragicomedy casts the “Bill & Ted” stars Keanu Reeves and Alex Winter as Samuel Beckett’s clowns.
Kevin Carillo dreams up an unlikely combination, with results that are delirious and often persuasive, but also excessive.
A stage adaptation of the Nobel laureate Svetlana Alexievich’s “The Unwomanly Face of War” gives Soviet women credit for their complex roles in World War II.
The Broadway play “Punch” retells the true story of a fatal blow and how restorative justice brought healing to the parents and to the young man who threw the punch.
From now to the end of October, spooky season takes hold in the five boroughs and beyond with parades, horror films and celebrations of “The Rocky Horror Picture Show” at 50.
For the first play he’s written, the actor stars as a striving Colombian American patriarch in the mold of Willy Loman or Walter Younger.
No phones, no street clothing. The artist Rashid Johnson has returned to the Russian and Turkish Baths with Amiri Baraka’s incendiary play “Dutchman.”
Nicki Hunter will succeed Lynne Meadow in December, taking charge of a major nonprofit that stages shows on and off Broadway.
A night out with the composer as he attended his latest project: “Masquerade,” a $25 million reimagining of “The Phantom of the Opera.”
In this new hip-hop musical from Nygel D. Robinson and Brian Quijada, audiences hear a tale of reverse migration: Slaves leaving the United States for Mexico.
With the cost of staging song-and-dance spectacles skyrocketing and audiences drawn to older hits, none of the musicals that opened last season has made a profit. Fewer are planned this season.
A new musical pulled from the pop star’s catalog among others, with a book from Damon Cardasis and James Ijames, tells the story of a Christian teen discovering ballroom and queer expression.
“When I walk into a theater, I’m at home,” the actor said. “And when I walk out on the stage, it’s the most comfortable place for me to be.”
Brian Quijada and Nygel D. Robinson take viewers south on the Underground Railroad in this electric production that feels like a jam session.
At least 23 regional theaters are planning productions of this story of hope after the Sept. 11 terrorist attacks.
Alice Birch’s latest play offers two modish genres for the price of one: the trauma narrative and the earnest inquiry into masculinity.
NT Live, an arm of Britain’s National Theater, is reaching huge audiences around the world who can’t make it to London to see its performances.
Richard Nelson returns to the Public Theater with “When the Hurlyburly’s Done,” which he presented last winter in Kyiv. Here, he reflects on the experience with excerpts from his diary.
James Corden, Bobby Cannavale and Neil Patrick Harris star in a revival of Yasmina Reza’s comedy about an inscrutable abstract painting.
To celebrate the opening of “The Wiz” on Broadway, the writer and comedian put a ring on it.
Charles Ludlam’s camp tribute to Maria Callas, featuring the countertenor Anthony Roth Costanzo, is glamorous to a fault at Little Island.
The drama, which has had two runs in Britain, won London’s Olivier Award for best new play earlier this year.
A revival of the much-loved 1981 musical is planned for next fall, directed by Camille A. Brown.
“Prince Faggot” has returned for an Off Broadway run this fall. The play aims to shock, but it’s the self-referential reflections that feel most profound.
The Brick, an Off Off Broadway institution in Williamsburg, has kept the lights on for more than 20 years by cobbling together support from donors, grants and ticket sales.
Have you ever seen Ibsen’s “Hedda Gabler” set in the 1950s with a biracial star in a lesbian love triangle? In this new film adaptation, you will.
This month’s picks include a 1974 adaptation of the Eugene Ionesco play “Rhinoceros,” starring Gene Wilder and Zero Mostel, and a behind-the-scenes look at Disney.
A new book by the Harvard scholar Stephen Greenblatt contends that the innovative dramatist Christopher Marlowe was the genius who inspired a cultural awakening.
En el teatro y en clubes de rock, en películas y redes sociales, mujeres jóvenes lanzan gritos liberadores e invitan a todo el mundo a unírseles.
In honor of its 20th anniversary, Tarell Alvin McCraney’s play gets a fiercely minimalist production at the Shed.
“Kiss my grits,” her character, Flo, was known to say. But that high-profile role was just one facet of a long, busy stage and screen career.
By recreating a snippet of the number “Best of Wives and Best of Women,” these funny shorts serve as both tribute and critique.
“Saturday Church” taps into music from several genres, as well as Sia, to tell the story of a teenager struggling with his sexuality and faith.
Henrik Ibsen’s “The Wild Duck,” an early Celine Song play and John Leguizamo’s new family drama — here’s what’s on New York stages this month.
Broadway is almost back, and pop music tours and sports events are booming. But Hollywood, museums and other cultural sectors have yet to bounce back.
Stagehands and other backstage workers have gone on strike against a prominent theater, and two productions have been canceled.
With less touring, it’s been a while since all the world has been its stage, but the troupe is working with the Chicago Shakespeare Theater — where it has family ties.
Mason, an associate director of “The Roommate,” which opened on Broadway last week, stepped in as Patti LuPone’s counterpart.
Broadway is still recovering from the pandemic. A state tax-credit program has helped, but watchdogs say it aids some shows that don’t need a boost.
Covid brought live performance to a halt. Now the audience for pop concerts and sporting events has roared back, while attendance on Broadway and at some major museums is still down.
In an effort to entice audiences back after the pandemic, Britain’s National Theater is testing a 6:30 p.m. curtain.
The small theaters that help make the city a theater capital are cutting back as they struggle to recover from the pandemic.
Readers discuss the decline in theater subscribers after the pandemic. Also: Northern Ireland; food allergies; a Covid playmate; anti-China bias.
Michael Paulson spoke with producers and artistic directors at nonprofit theaters across the country about the crisis their industry is facing.
As they struggle to recover after the pandemic, regional theaters are staging fewer shows, giving fewer performances, laying off staff and, in some cases, closing.
Suzan-Lori Parks wrote one play a day for 13 months during the pandemic. Those stories come to life onstage in the form of monologues, dialogues and songs at Joe’s Pub.
When shuttered venues embraced streaming during the pandemic, the arts became more accessible. With live performance back, and streams dwindling, many feel forgotten.
The veteran performance artist Karen Finley leads the audience through the troubles that plagued New York City at the peak of the pandemic.
A ceremony for the awards, celebrating work Off and Off Off Broadway, will be held Monday, but organizers decided to announce the winners in advance.
Broadway shows grossed $51.9 million during the holiday week, the most since 2019, and “The Lion King” set a record for the most earned by any show in a single week.
Stakeholders including Patti LuPone and Lynn Nottage share their real-time reactions to New York theater’s shutdown and reopening in Amy Rice’s documentary.
After one holiday season lost to the pandemic and another curtailed by Omicron, seasonal staples including “The Nutcracker,” “A Christmas Carol” and “Messiah” are back in force.
An annual survey, suspended during the pandemic, resumes and finds theaters nationally doing fewer shows and torn between escapism and ambition.
Responses to an essay that criticized Anthony Fauci’s handling of the pandemic. Also: Migrants as props; abortion rights; David Milch; theater’s lessons.
Some audience members are turned off by mask mandates. Others won’t attend indoor performances without them. Arts presenters are taking different approaches this season.
After a two-year pandemic delay, villagers in the German town of Oberammergau are once again re-enacting the story of Jesus’s life and death, with some changes.
“American Buffalo,” at Circle in the Square, is sticking with masking till it closes, July 10, citing the “proximity of the audience to the actors” and “the staging in the round.”
Beginning in July, Broadway will no longer require audiences to mask up. Actors and theater workers aren’t loving the idea.
Beginning in July, Broadway will no longer require audiences to mask up. Actors and theater workers aren’t loving the idea.
Most theaters stopped requiring proof of vaccination this spring. Now they are going “mask optional.”
“The Lehman Trilogy” won best play, “Company” won best musical revival and “Take Me Out” won best revival of a play at the 75th Tony Awards.
The musical, which opened in 2017, is the third to announce a closing in two days, as many shows struggle in a pandemic-softened marketplace.
The decision comes at a time when New York City has declared a “high Covid alert.”
At times it felt like a game of survival. But during a Broadway season unlike any other, productions showed their resourcefulness while learning how to live with Covid.
The musical, which shuttered temporarily in January as the Omicron variant spread, has struggled with the slow return of tourists to the theater.
While for-profit theater owners and operators agreed to stop checking proof of vaccination this week, several nonprofit Broadway theaters continue to require it.
Broadway enthusiasts, art aficionados and food lovers will find new offerings in and around Times Square and in neighborhoods below 42nd Street, heralding the promise of a vibrant recovery.
The revival, directed by Camille A. Brown, received strong reviews but struggled to attract audiences and overcome challenges posed by Covid.