‘Meat Suit’ Review: Sitting With the Mess of Motherhood
In Aya Ogawa’s compassionate, sharply comical play, the pastel-pink public image of mommyhood doesn’t stand a chance.
In Aya Ogawa’s compassionate, sharply comical play, the pastel-pink public image of mommyhood doesn’t stand a chance.
For eight weeks this spring, the popular rapper will be featured as a nightclub impresario in “Moulin Rouge! The Musical.”
Lauren Yee’s boisterous play “Mother Russia,” about the origins of the contemporary oligarchy, has its roots in her San Francisco childhood.
Clare Barron’s gorgeous play, about an unmoored young woman returning home to care for her father, finds a new home at Cherry Lane Theater.
A strong cast stars in Lauren Yee’s new play, part of a cycle of works about the collisions between 20th-century communism and pop culture.
This bio play about Marcel Marceau, which delves into his part in the French Resistance, stars Ethan Slater (yes, that’s Boq from the “Wicked” movies).
Phanésia Pharel’s wistful two-hander starring Patrice Johnson Chevannes and Natalie Paul looks at a Haitian American family and questions of legacy.
An Oscar nominee for a movie in which everything crashes down on her (literally), Byrne is shifting gears with the Broadway comedy “Fallen Angels.”
With “The Lost Boys” on Broadway and Cynthia Erivo in “Dracula” in London, our horror expert looks at how bloodsuckers sunk their teeth into pop culture.
The German actor Lars Eidinger lost control of the weapon in the final scene of Shakespeare’s play.
It’s time to end the era of colorblind casting.
Plays about addiction are filling Manhattan stages this month, depicting very different places on the recovery spectrum, from harrowing to serene.
The Marvel alumni Tom Hiddleston and Hayley Atwell will star in Jamie Lloyd’s mischievous take on “Much Ado About Nothing.”
He created sets and lighting for dozens of productions, including “Long Day’s Journey Into Night,” and established a new art form with his theater of the deaf, combining sign and spoken language.
The “Wicked” actress plays 23 roles in a one-woman show on London’s West End.
Without the usual flood of new musicals, the playwrights of works like “Becky Shaw,” “Dog Day Afternoon” and “Giant” are getting a chance to shine.
Onstage, “Cats: The Jellicle Ball” and Adrien Brody in “The Fear of 13.” Plus: Cardi B goes on tour, Lise Davidsen takes on Isolde at the Met, 100 years of Martha Graham and more.
Across the country, a flurry of theater productions, including “Black Swan” and “The Lunchbox,” are mining the movies for material.
Kathleen Chalfant, Elizabeth Marvel, April Matthis and other actors deliver top-notch performances in a play that leaves questions unanswered.
The Tony winner returns to the stage in “Every Brilliant Thing,” an interactive monologue with a message of hope “that might be vital for somebody to hear.”
Theater for a New Audience’s reimagining of the Shakespearean tragedy misses an opportunity to engage the play’s many echoes with our own tense era.
Fifty years ago, Junior LaBeija couldn’t afford to see André De Shields in “The Wiz.” Now, they’re starring together in a reimagining of “Cats.”
Other picks include the National Theater’s “Inter Alia,” a successor to the acclaimed “Prima Facie”; Anne Gridley’s “Watch Me Walk”; and a Jodi Picoult stage adaptation.
Milo Rau’s examination of the infamous broadcast that preceded the Rwandan genocide is onstage now. Two other works, including “The Pelicot Trial,” arrive in March.
The chameleonic actor takes on several characters in David Cale’s solo play about a writer in pursuit of his stalker. Or is it all in his mind?
At the heart of Daniel Fish’s verbatim staging of a C-SPAN segment is a complex relationship, between Larry Kramer and Anthony Fauci, that “goes from ‘I hate you’ to ‘I love you’ and back.”
Ngozi Anyanwu’s searing two-hander follows a brother and sister who train in boxing, side by side.
In Alexander Zeldin’s naturalistic adaptation of “Antigone,” Tobias Menzies and Emma D’Arcy star as a feuding uncle and niece.
The musical, called “Galileo,” will star Raúl Esparza, and is scheduled to open in December at the Shubert Theater.
Gaulier often insulted his pupils, but many became stars, including Sacha Baron Cohen, Emma Thompson and Rachel Weisz.
Christiani Pitts and Sam Tutty, the stars of the new musical “Two Strangers (Carry a Cake Across New York),” meet for a stroll one blustery afternoon.
He’s most commonly recognized for his screen roles as a plotting hit man and an unlikely Lothario, but it’s his work as a playwright that shows more of his true self.
A revival of a 1964 musical, which puts a supernatural spin on a Noël Coward play, features a starry cast: Andrea Martin, Phillipa Soo, Steven Pasquale and Katrina Lenk.
The final New York performance will be July 26, seven years after it opened; international and touring productions continue.
Watching the dazzling Randolph sisters now offers important lessons — and delightful entertainment.
A new London production of the playwright’s masterpiece has extra poignancy just months after his death.
Ten actors wear the crowns in Karin Coonrod’s production, which is rich with twilight revelation, at La MaMa in Manhattan.
A recent production of “Othello” proves that small creative flowers can grow between the dreary slabs of cultural concrete laid by the Communist Party.
She was a ubiquitous presence at London theaters and claimed to have inspired the name — and final words — of Tennessee Williams’s Blanche DuBois.
Libby Howes was an imposing presence onstage with the Wooster Group. But after abruptly leaving New York in 1981 she became a theater world mystery. What happened?
The actor Harry Melling shed his image as Harry’s cruel cousin, Dudley Dursley — and his clothes — to star in the queer romance “Pillion.”
A new work by the director Lorraine de Sagazan looks at a high-profile case that will soon be heard in a French court.
In David Cale’s “The Unknown,” the actor plays 11 characters including a writer suffering the horrors of writer’s block and an unraveling mind.
His New Federal Theater in New York provided a rare stage for Black playwrights and emerging actors, among them Denzel Washington, Phylicia Rashad and Chadwick Boseman.
Sean Hayes performs a new solo thriller, Alia Shawkat leads a play revival and Ethan Slater stars as Marcel Marceau in a world premiere.
This month offers a Valentine’s Saturday, a Fat Tuesday and a month of Black history, plus the Harlem Globetrotters and a last call for Gumby.
The New York Times Magazine gathered nearly 150 people obsessed with the musical ‘Operation Mincemeat’ for a photo shoot in Manhattan.
Personal history emerges by painful degrees in “Oedipus,” whose language and story, the actress Lesley Manville says, “wreck me every time.”
A Disney fan who once “flew” off his couch as a 4-year-old Peter Pan, he was a co-director of the animated film and a co-writer of the Broadway musical, both of them megahits.
She watched the movie as a teenager, now the star of “School Spirits” and “Cobra Kai” is playing the acid-tongued queen bee Heather Chandler onstage.
Keep boredom and cabin fever at bay with hot chocolate excursions, Lunar New Year festivities and a sleepover on the Intrepid.
Crowds are flocking to an annual festival for performances of “A Doll’s House,” a “Macbeth”-inspired witch tale and more featuring puppets big and small.
“Watch Me Walk,” “Ulysses” and other offerings from Under the Radar and the Exponential Festival engage with personal histories and the works of literary lions.
Judy Collins, Mandy Patinkin, Renée Fleming, Michael R. Jackson, Melissa Errico, Tony Kushner, Sherman Irby and New York Times writers and editors pick 14 songs to seal the deal.
La vida en Birmania se trastornó hace cinco años, cuando los militares tomaron el poder. Ahora, la junta gobernante intenta proyectar una apariencia de legitimidad y normalidad.
Naples, Fla., and Milwaukee are quite different, but have one thing in common: They are home to regional theaters that are thriving.
Broadway is almost back, and pop music tours and sports events are booming. But Hollywood, museums and other cultural sectors have yet to bounce back.
Stagehands and other backstage workers have gone on strike against a prominent theater, and two productions have been canceled.
With less touring, it’s been a while since all the world has been its stage, but the troupe is working with the Chicago Shakespeare Theater — where it has family ties.
Mason, an associate director of “The Roommate,” which opened on Broadway last week, stepped in as Patti LuPone’s counterpart.
Broadway is still recovering from the pandemic. A state tax-credit program has helped, but watchdogs say it aids some shows that don’t need a boost.
Covid brought live performance to a halt. Now the audience for pop concerts and sporting events has roared back, while attendance on Broadway and at some major museums is still down.
In an effort to entice audiences back after the pandemic, Britain’s National Theater is testing a 6:30 p.m. curtain.
The small theaters that help make the city a theater capital are cutting back as they struggle to recover from the pandemic.
Readers discuss the decline in theater subscribers after the pandemic. Also: Northern Ireland; food allergies; a Covid playmate; anti-China bias.
Michael Paulson spoke with producers and artistic directors at nonprofit theaters across the country about the crisis their industry is facing.
As they struggle to recover after the pandemic, regional theaters are staging fewer shows, giving fewer performances, laying off staff and, in some cases, closing.
Suzan-Lori Parks wrote one play a day for 13 months during the pandemic. Those stories come to life onstage in the form of monologues, dialogues and songs at Joe’s Pub.
When shuttered venues embraced streaming during the pandemic, the arts became more accessible. With live performance back, and streams dwindling, many feel forgotten.
The veteran performance artist Karen Finley leads the audience through the troubles that plagued New York City at the peak of the pandemic.
A ceremony for the awards, celebrating work Off and Off Off Broadway, will be held Monday, but organizers decided to announce the winners in advance.
Broadway shows grossed $51.9 million during the holiday week, the most since 2019, and “The Lion King” set a record for the most earned by any show in a single week.
Stakeholders including Patti LuPone and Lynn Nottage share their real-time reactions to New York theater’s shutdown and reopening in Amy Rice’s documentary.
After one holiday season lost to the pandemic and another curtailed by Omicron, seasonal staples including “The Nutcracker,” “A Christmas Carol” and “Messiah” are back in force.
An annual survey, suspended during the pandemic, resumes and finds theaters nationally doing fewer shows and torn between escapism and ambition.
Responses to an essay that criticized Anthony Fauci’s handling of the pandemic. Also: Migrants as props; abortion rights; David Milch; theater’s lessons.
Some audience members are turned off by mask mandates. Others won’t attend indoor performances without them. Arts presenters are taking different approaches this season.
After a two-year pandemic delay, villagers in the German town of Oberammergau are once again re-enacting the story of Jesus’s life and death, with some changes.
“American Buffalo,” at Circle in the Square, is sticking with masking till it closes, July 10, citing the “proximity of the audience to the actors” and “the staging in the round.”
Beginning in July, Broadway will no longer require audiences to mask up. Actors and theater workers aren’t loving the idea.
Beginning in July, Broadway will no longer require audiences to mask up. Actors and theater workers aren’t loving the idea.
Most theaters stopped requiring proof of vaccination this spring. Now they are going “mask optional.”
“The Lehman Trilogy” won best play, “Company” won best musical revival and “Take Me Out” won best revival of a play at the 75th Tony Awards.
The musical, which opened in 2017, is the third to announce a closing in two days, as many shows struggle in a pandemic-softened marketplace.
The decision comes at a time when New York City has declared a “high Covid alert.”
At times it felt like a game of survival. But during a Broadway season unlike any other, productions showed their resourcefulness while learning how to live with Covid.
The musical, which shuttered temporarily in January as the Omicron variant spread, has struggled with the slow return of tourists to the theater.
While for-profit theater owners and operators agreed to stop checking proof of vaccination this week, several nonprofit Broadway theaters continue to require it.
Broadway enthusiasts, art aficionados and food lovers will find new offerings in and around Times Square and in neighborhoods below 42nd Street, heralding the promise of a vibrant recovery.
The revival, directed by Camille A. Brown, received strong reviews but struggled to attract audiences and overcome challenges posed by Covid.