This Theater Was a Haven for Bold Art. Then the Archdiocese Intervened.
The Connelly Theater has suspended operations after its church landlord began more carefully scrutinizing show scripts and its general manager resigned.
The Connelly Theater has suspended operations after its church landlord began more carefully scrutinizing show scripts and its general manager resigned.
Armando Iannucci, the mastermind behind “Veep,” has adapted “Dr. Strangelove” for the theater and insists that laughing at nuclear disaster couldn’t be more timely.
A stripped-back revival of the classic musical, starring the singer Nicole Scherzinger, opened at the St. James Theater on Sunday night.
The immersive theater experience in Chelsea has been running since 2011. Now it is scheduled to shut in late November.
We will always need the works of the Bard, especially in moments of conflict and unrest.
A fascinating Broadway revival of the bombastic 1994 musical blows it up even further.
On his weeks off from shooting the ABC sitcom, the actor unwinds by whipping up “the biggest salad ever” and seeking out a Sunday-night show.
He collaborated with Eisa Davis to make a concept album inspired by the 1979 movie. One big change: the main gang is made up of women.
Kimberly Belflower’s “John Proctor Is the Villain” will be directed by Danya Taymor, who won a Tony this year for “The Outsiders.”
A country music star embodies the clichés of celebrity in an Off Broadway revival of Kenneth Lonergan’s 2016 comedy.
The writer Erika Sheffer takes a big swing in a Manhattan Theater Club production examining “the point at which a society finds itself on the brink.”
Inspired by Paul Verhoeven’s infamous 1995 film, “Showgirl” considers what it means to be an actress who gets naked.
These productions are grappling with climate change, reproductive rights, the Arab Spring and accusations of sexual assault.
James Morgan, who has been with the small New York theater company for 50 years, blamed the effects of a stroke for his behavior.
Performed simultaneously in sign language and sung English, a Los Angeles revival of the Green Day musical finds new ways to communicate rage and angst.
The musical, created by Shaina Taub, announced that it will play its final performance on Jan. 5 and start a national tour next fall.
The fall season is underway, and our reviewers think these productions are worth knowing about, even if you’re not planning to see them.
Selections from the Weekend section, including a review of “Disclaimer,” Alfonso Cuarón’s limited series for Apple TV+.
Wood from New York City water towers will be attached to the facade of the theater, where Shakespeare in the Park will return next summer.
The Thornton Wilder classic returns to Broadway, still brutal and avant-garde after 86 years.
A brisk documentary by Barnaby Thompson counters that the tuxedo-wearing playwright hid his insecurities under a platinum-plated veneer.
A diner patron asks a waitress for an extraordinary side dish in Meghan Kennedy’s sweet but shaggy new play.
The landlords also said they would reconsider their process for determining who to honor with full and partial dimmings.
On a barge in Brooklyn, the story of a beloved watering hole and a neighborhood’s recovery after Hurricane Sandy.
“Just in Time,” a new musical about the “Mack the Knife” pop singer, will open next spring at Circle in the Square in Manhattan.
Mathieu Kassovitz has turned his cult 1995 movie into a stage musical. The France it represents is different — though much hasn’t changed.
Her gossipy portrait of singlehood as a celebrity is a sunny contrast to the darker view of her Netflix stablemate Hannah Gadsby.
Take a tour of the place where Jules Feiffer said he found his “fire.”
Robert Lepage’s latest play, “Faith, Money, War and Love,” runs for five hours, and aims to depict Germany since the end of World War II.
Popular literature has often been the source of a big-budget musical, but not every show is a hit. Can you identify these five short-lived productions?
The goofball spirit that made Marla Mindelle’s “Titaníque” a hit is missing from her equally campy new show drenched in pop-culture references.
The best compliment a man — gay or straight, old or … not so old — can receive is to enter the pantheon of daddies.
A conversation with the legendary actor about, well, everything.
In a comprehensive biography, the historian Dan Jones tries to reconcile the hero of legend with the complicated young monarch of reality.
Adapted from the offbeat 2012 movie, this new musical about loneliness and the longing for do-overs is promising but still needs to find its shape.
A new play from James Ijames, who won a Pulitzer for his “Fat Ham,” has intriguing ideas about identity and community that never fully take shape.
The “Succession” actress will play all 26 characters in a stage production of the Oscar Wilde novel.
David Henry Hwang’s 2007 play, now in a fine Broadway revival, is a pointed critique of identity, masquerading as a mockumentary.
His career on Broadway spanned decades. But he has probably best known for providing the voice of the boogeyman in “The Nightmare Before Christmas.”
The musical, based on the best-selling novel, featured dazzling acrobatics and puppetry. Its final performance will be Dec. 8.
The stage stars were among more than 600 people who turned out for an evening of dinner and performances to benefit Black Theater United.
Todd Almond’s “I’m Almost There” is a work of wonder, while Gabriel Kahane’s “Book of Travelers” and “Magnificent Bird” are less effective.
The show is about a real World War II episode in which British intelligence planted disinformation on a dead body to fool the Germans.
His father was “an honest, loving man” but then fell under the sway of MAGA.
The “Oppenheimer” star makes his Broadway debut in Ayad Akhtar’s timely new play about a literary lion who gets assistance from A.I.
He won the award playing a Yonkers feed store clerk in “Hello, Dolly!” and was also nominated for roles in “Thoroughly Modern Millie” and “Hair.”
The Off Broadway plays “Fatherland” and “Blood of the Lamb” explore the grief, anger and fear of no longer recognizing the country you love.
In Jez Butterworth’s compelling new play, four girls trained to sing close harmony wind up as acrimonious adults.
But she did “burst into tears” reading Jez Butterworth’s rewrite of his new Broadway play, which left her with 10 days “to create an entirely new character.”
She had a long, award-winning career as a screen and stage actress, finally becoming a household name with her memorable turn in “Downton Abbey.”
A new play in London portrays the beloved children’s author as a rounded character, while making no apology for his bigotry.
Pasaba casi siempre desapercibida a pesar de ser galardonada con una extraordinaria cantidad de premios, incluidos los Oscar, Emmy y los Tony. Luego llegó “Downton Abbey”.
Two years after debuting the “Titanic” parody, Marla Mindelle says her new show, with Margot Robbie as a producer, may be her last as an actor.
The Olivier Award-winning revival, in which the actor plays all of the parts, is to begin previews March 11 at the Lucille Lortel Theater.
She earned an extraordinary array of awards, from Oscars to Emmys to a Tony, but she could still go almost everywhere unrecognized. Then came “Downton Abbey.”
Belarus Free Theater’s “KS6: Small Forward” and three other shows are reminders that there are many ways to portray conflicts and confrontations onstage.
Some recommendations for visitors and residents who want to get the most from the city’s varied theater scene.
For the second year in a row, a play about the Constitution is the most-staged in America. And a farce about a terrible president is also pretty popular.
Christopher Ashley, the artistic director of La Jolla Playhouse and a Tony winner for “Come From Away,” will run the large New York nonprofit.
A retrospective in Paris honors Lina Majdalanie and Rabih Mroué, whose theater works have examined the region’s troubles for decades.
The former senator haunts the former president, or vice versa, in this sophomoric musical satire.
Hollywood luminaries gathered for the Albie Awards; and the New York Philharmonic and the Metropolitan Opera drew a crowd of philanthropists and Broadway stars to Lincoln Center.
As Rufus Norris prepares to leave the London playhouse he has led since 2015, he reflects on his quest to make the theater represent the audience it serves.
Walking around downtown Philadelphia, James Ijames reflected on his new play, “Good Bones,” gentrification and the absence that “haunts the cities.”
Two young actors were prepared to work hard to make it in New York theater. The rental market proved to be cutthroat.
Mason, an associate director of “The Roommate,” which opened on Broadway last week, stepped in as Patti LuPone’s counterpart.
Broadway is still recovering from the pandemic. A state tax-credit program has helped, but watchdogs say it aids some shows that don’t need a boost.
Covid brought live performance to a halt. Now the audience for pop concerts and sporting events has roared back, while attendance on Broadway and at some major museums is still down.
In an effort to entice audiences back after the pandemic, Britain’s National Theater is testing a 6:30 p.m. curtain.
The small theaters that help make the city a theater capital are cutting back as they struggle to recover from the pandemic.
Readers discuss the decline in theater subscribers after the pandemic. Also: Northern Ireland; food allergies; a Covid playmate; anti-China bias.
Michael Paulson spoke with producers and artistic directors at nonprofit theaters across the country about the crisis their industry is facing.
As they struggle to recover after the pandemic, regional theaters are staging fewer shows, giving fewer performances, laying off staff and, in some cases, closing.
Suzan-Lori Parks wrote one play a day for 13 months during the pandemic. Those stories come to life onstage in the form of monologues, dialogues and songs at Joe’s Pub.
When shuttered venues embraced streaming during the pandemic, the arts became more accessible. With live performance back, and streams dwindling, many feel forgotten.
The veteran performance artist Karen Finley leads the audience through the troubles that plagued New York City at the peak of the pandemic.
A ceremony for the awards, celebrating work Off and Off Off Broadway, will be held Monday, but organizers decided to announce the winners in advance.
Broadway shows grossed $51.9 million during the holiday week, the most since 2019, and “The Lion King” set a record for the most earned by any show in a single week.
Stakeholders including Patti LuPone and Lynn Nottage share their real-time reactions to New York theater’s shutdown and reopening in Amy Rice’s documentary.
After one holiday season lost to the pandemic and another curtailed by Omicron, seasonal staples including “The Nutcracker,” “A Christmas Carol” and “Messiah” are back in force.
An annual survey, suspended during the pandemic, resumes and finds theaters nationally doing fewer shows and torn between escapism and ambition.
Responses to an essay that criticized Anthony Fauci’s handling of the pandemic. Also: Migrants as props; abortion rights; David Milch; theater’s lessons.
Some audience members are turned off by mask mandates. Others won’t attend indoor performances without them. Arts presenters are taking different approaches this season.
After a two-year pandemic delay, villagers in the German town of Oberammergau are once again re-enacting the story of Jesus’s life and death, with some changes.
“American Buffalo,” at Circle in the Square, is sticking with masking till it closes, July 10, citing the “proximity of the audience to the actors” and “the staging in the round.”
Beginning in July, Broadway will no longer require audiences to mask up. Actors and theater workers aren’t loving the idea.
Beginning in July, Broadway will no longer require audiences to mask up. Actors and theater workers aren’t loving the idea.
Most theaters stopped requiring proof of vaccination this spring. Now they are going “mask optional.”
“The Lehman Trilogy” won best play, “Company” won best musical revival and “Take Me Out” won best revival of a play at the 75th Tony Awards.
The musical, which opened in 2017, is the third to announce a closing in two days, as many shows struggle in a pandemic-softened marketplace.
The decision comes at a time when New York City has declared a “high Covid alert.”
At times it felt like a game of survival. But during a Broadway season unlike any other, productions showed their resourcefulness while learning how to live with Covid.
The musical, which shuttered temporarily in January as the Omicron variant spread, has struggled with the slow return of tourists to the theater.
While for-profit theater owners and operators agreed to stop checking proof of vaccination this week, several nonprofit Broadway theaters continue to require it.
Broadway enthusiasts, art aficionados and food lovers will find new offerings in and around Times Square and in neighborhoods below 42nd Street, heralding the promise of a vibrant recovery.
The revival, directed by Camille A. Brown, received strong reviews but struggled to attract audiences and overcome challenges posed by Covid.