‘The Lost Boys’ Review: Live, Die, Reprise
A Broadway musical adaptation of the 1987 movie gets a lot of mileage from ’80s rocker aesthetics and over-the-top spectacle — until its second half.
A Broadway musical adaptation of the 1987 movie gets a lot of mileage from ’80s rocker aesthetics and over-the-top spectacle — until its second half.
Readers respond to an Opinion guest essay by Eric Alterman, about the power of the Arthur Miller play. Also: Patients and chatbots.
This revival starring Cedric the Entertainer and Taraji P. Henson may be uneven at times, but it still unlocks Wilson’s mysterious drama.
In the play “Rheology,” a son and his mother grapple, in very different ways, with what her eventual death will mean.
Mr. Ferguson, best known for starring in the sitcom “Modern Family,” has leaned back into his theater roots with a turn as Truman Capote.
Rose Byrne in “Fallen Angels,” a couple trapped in the musical village of “Schmigadoon!” and “The Rocky Horror Show” at Studio 54: These productions are worth seeing.
Sam Pinkleton’s new revival at Studio 54 gives us the big gay mayhem we want while also maintaining some order via Rachel Dratch’s droll Narrator.
A new musical version of the 1980s tear-jerker comes to Broadway, but the production is too muddled to make an emotional impact.
Mark Gatiss plays a Charlie Chaplin-like dictator in a timely Royal Shakespeare Company revival.
“Live From the 10th Floor,” a video series, invites actors, musicians and other artists to perform at The Times’s Midtown Manhattan headquarters.
David Lindsay-Abaire’s comedy about a wealthy homeowners association thrown into disarray makes a case for the same social compact it skewers.
Cecily Strong and Corey Stoll star in this two-hander about connecting over a meal that becomes much deeper than two colleagues socializing out-of-office.
“The Fear of 13,” about a man who spent two decades on death row for a murder he didn’t commit, is a story that the playwright says she “couldn’t shake.”
Cinco Paul’s loving spoof of Golden Age musicals, adapted from a TV series, comes to Broadway, where its charming musical numbers can really shine.
Al confirmar la ubicación precisa de la casa de William Shakespeare en Blackfriars, una académica británica plantea nuevas preguntas sobre qué pretendía hacer con ella.
Lust is the comic engine driving the action of a riotous revival of one of Noël Coward’s early plays, with Rose Byrne and Kelli O’Hara, at Todd Haimes Theater.
La obra de Broadway sobre el autor británico de libros populares como ‘Matilda’ o ‘Charlie y la fábrica de chocolate’ se basa en los comentarios de Dahl a lo largo de los años.
The director Ivo van Hove and others share essential avant-garde productions.
Test your knowledge, before or after reading T’s Culture issue.
The actor shares his favorite performances, films, meals and more.
The actress shares her favorite performances, films, meals and more.
13 stars of the New York theater scene who elevate every production.
A look at six enduring traditions around the world.
Actors Nathan Lane, Joel Grey, Kara Young and Mark Strong on seven speeches they can’t forget.
Cole Escola, Lynn Nottage and others choose the plays that define contemporary theater.
The actors Judi Dench and Paapa Essiedu and director Saheem Ali share their favorite works.
The actor shares five essential songs from musicals.
A highly idiosyncratic compendium of what you need to know right now.
Key examples from a medium that is about as old as human history.
John Lithgow in “Giant,” a triumphant revival of “Death of a Salesman” and vogueing cats at “The Jellicle Ball”: These productions are worth knowing about.
After years of struggling to keep the doors open, the Bob Baker Marionette Theater joined a lineup that included Justin Bieber and Katseye.
As portrayed in shows like “Smash,” “Slings & Arrows” and “American Classic,” life onstage is a grab-bag of archetypes both hilariously wrong and a little bit right.
Producers and the cultural authorities hope that technology can overcome a language barrier and take the country’s shows to the world.
The actress stars as a haunted genius opposite Don Cheadle as her father in David Auburn’s 2001 drama. This revival, though, exposes the play’s lack of rigor.
Roundabout Theater Company, one of the four nonprofits with Broadway houses, plans three Broadway shows next season.
A new London production highlights the story’s racial element and shows how much has changed since the play’s 1963 premiere.
Adrien Brody and Tessa Thompson make confident Broadway debuts, but the uneven script makes for a narratively slippery prison drama.
In confirming the precise location of William Shakespeare’s Blackfriars house, a British scholar raises fresh questions about what he intended to do with it.
Other picks include the historical hip-hop musical “Mexodus,” an Anne Carson radio play and a century-old play about machines replacing humans.
Daphne Rubin-Vega stars as a laid-off office worker who spins into a murderous rage in this update of Elmer L. Rice’s 1923 classic.
Mark Rosenblatt’s Broadway play, starring John Lithgow as the British children’s book author, draws from Dahl’s comments over the years.
The pair performed a scene from ‘The Fear of 13’ at The New York Times.
In this scene from the play “The Fear of 13,” performed in T Magazine’s office, Tessa Thompson’s character, Jacki, visits Adrien Brody’s Nick in prison.
A revival of “Death of a Salesman” comes as the “Zionist consensus” is openly fracturing.
The actor-comedian said he will return to Broadway this fall with a new solo show called “860,” named for the address of his destroyed family home.
Critics reflect on the 2026 Olivier Awards, which recognized homegrown British talent and some productions headed for New York.
This “Titanic” parody fueled by Dion’s hits, silly ad-libs and pop culture references had the humblest of beginnings. Now the show has docked on Broadway.
The hit musical about the beloved bear won seven awards at Britain’s equivalent of the Tonys. “Evita,” starring Rachel Zegler, took home two prizes.
Before each performance, the actor sprints around the Hudson Theater enlisting audience members to take part in the interactive show.
What can we learn from April, a month of contradictions that never cleanly resolve themselves?
Mfundi Vundla spent 21 years in exile and created the popular television show “Generations.” His latest project is a play that explores the imperfections of the fight against apartheid.
Arthur Miller’s classic tragedy returns to Broadway, starring Nathan Lane and Laurie Metcalf. Yet again, it is a triumph.
Songs by the pop singer-songwriter are part of the Broadway shows “& Juliet” and “Moulin Rouge! The Musical.”
The actress, a star of “Gone Girl” and “Saltburn,” will play a judge whose personal experience as the mother of a son tests her courtroom approach to justice.
In the Off Broadway show, “Burnout Paradise” performers run on treadmills while doing various tasks. The show, and its actors, are slated to run at Astor Place Theater through June 28.
The Roundabout Theater Company stages shows in Studio 54, once a famous disco. It doesn’t have a permanent stage or an orchestra pit.
For their 10th life, the cats strut and duckwalk in a reappraisal of Andrew Lloyd Webber’s 1981 musical, which has shifted to the queer ballroom scene.
The new musical is trying to calibrate just how much to rein in the audience participation that longtime fans are used to.
The entrepreneur Glen Tullman is betting people want to dress up and watch magicians in a luxury setting. Either it will work or $50 million will go poof.
Five of the show’s stars strutted and prowled amid the desks of T Magazine.
Cast members from “Cats: The Jellicle Ball” — Jonathan Burke, Dava Huesca, Primo Thee Ballerino, Baby Byrne and Dudney Joseph Jr. — perform a mischievous number called “Mungojerrie and Rumpleteazer” in the T Magazine office.
Alden Ehrenreich makes a show-stealing Broadway debut in Gina Gionfriddo’s comedy about two old friends, one disastrous blind date and the dicey aftermath.
I was onstage for the first Broadway version of ‘Cats.’ A new reimagining showed me something about the show I never expected.
She knew nothing about lighting when the director Robert Wilson asked her to work on his shows, and later spent over 40 years as a designer for Danspace Project.
The directors Michael DeFilippis, Dmitry Krymov and Aleksandr Molochnikov all infuse their current productions with a burning, modern rage.
In “Burnout Paradise,” four performers try ambitious tasks while jogging. If they can’t beat their run time goal, the audience gets its money back.
When an actress in Shawn’s play “What We Did Before Our Moth Days” got Covid, he took on the role.
The rapper was back onstage in “Moulin Rouge” two days after being taken to a hospital after becoming ill during a performance.
Hubbard Street Dance Chicago and the Off Broadway revue “Gotta Dance!” shine a light on repertory that is too often overlooked.
The rapper was rushed to the hospital midway through a performance of “Moulin Rouge! The Musical” on Tuesday. She is expected to return to the show on Thursday.
Two Shakespeare adaptations — Teatro La Plaza’s uplifting remix and Red Bull Theater’s gore fest — place very different values on human existence.
The sincerity of the play’s two stars shines through in Robert Icke’s new London production.
Jennifer Tilly and Daphne Rubin-Vega in “The Adding Machine,” plus Jane Fonda in an eco-musical and Cecily Strong and Corey Stoll as a couple on their first date.
This month brings Barry Manilow and Martha Graham, Earth Day and Easter, as well as a pickle tour and a little night music.
The taboo-busting, gasp-inducing Broadway musical comedy has been a hit with audiences and critics. But could it be produced today?
A raucous adaptation of a gritty portrait of New York stifles tension with comedy, leaving its stars, Jon Bernthal and Ebon Moss-Bachrach, adrift.
An experimental theater veteran, he collected the ephemera of his friends and colleagues. As they began to die, he made shrines honoring them.
In her “Trilogy of Funerals,” the Spanish provocateur Angélica Liddell shows a sense of vulnerability that will surprise longtime watchers of her work.
Joe Mantello’s Broadway revival, starring Nathan Lane and Laurie Metcalf, was inspired by a draft with notes by Arthur Miller. Here are some of them.
The Upper West Side performing arts venue will take its programming across the city while its doors close for a 15-month overhaul.
Starting in May, Hargitay will make her Broadway debut in “Every Brilliant Thing,” an elastic play that shape shifts to fit a distinctly different star.
Trained as a playwright, he got his first TV writing job on “St. Elsewhere,” then worked on “Homicide: Life on the Street,” “The Wire,” “Treme” and “Bosch.”
One hundred years after it was banned for its depiction of hedonism, the rhythmic, jazz-soaked poetry of Joseph Moncure March continues to find new life.
Naples, Fla., and Milwaukee are quite different, but have one thing in common: They are home to regional theaters that are thriving.
Broadway is almost back, and pop music tours and sports events are booming. But Hollywood, museums and other cultural sectors have yet to bounce back.
Stagehands and other backstage workers have gone on strike against a prominent theater, and two productions have been canceled.
With less touring, it’s been a while since all the world has been its stage, but the troupe is working with the Chicago Shakespeare Theater — where it has family ties.
Mason, an associate director of “The Roommate,” which opened on Broadway last week, stepped in as Patti LuPone’s counterpart.
Broadway is still recovering from the pandemic. A state tax-credit program has helped, but watchdogs say it aids some shows that don’t need a boost.
Covid brought live performance to a halt. Now the audience for pop concerts and sporting events has roared back, while attendance on Broadway and at some major museums is still down.
In an effort to entice audiences back after the pandemic, Britain’s National Theater is testing a 6:30 p.m. curtain.
The small theaters that help make the city a theater capital are cutting back as they struggle to recover from the pandemic.
Readers discuss the decline in theater subscribers after the pandemic. Also: Northern Ireland; food allergies; a Covid playmate; anti-China bias.
Michael Paulson spoke with producers and artistic directors at nonprofit theaters across the country about the crisis their industry is facing.
As they struggle to recover after the pandemic, regional theaters are staging fewer shows, giving fewer performances, laying off staff and, in some cases, closing.
Suzan-Lori Parks wrote one play a day for 13 months during the pandemic. Those stories come to life onstage in the form of monologues, dialogues and songs at Joe’s Pub.
When shuttered venues embraced streaming during the pandemic, the arts became more accessible. With live performance back, and streams dwindling, many feel forgotten.
The veteran performance artist Karen Finley leads the audience through the troubles that plagued New York City at the peak of the pandemic.
A ceremony for the awards, celebrating work Off and Off Off Broadway, will be held Monday, but organizers decided to announce the winners in advance.
Broadway shows grossed $51.9 million during the holiday week, the most since 2019, and “The Lion King” set a record for the most earned by any show in a single week.
Stakeholders including Patti LuPone and Lynn Nottage share their real-time reactions to New York theater’s shutdown and reopening in Amy Rice’s documentary.
After one holiday season lost to the pandemic and another curtailed by Omicron, seasonal staples including “The Nutcracker,” “A Christmas Carol” and “Messiah” are back in force.
An annual survey, suspended during the pandemic, resumes and finds theaters nationally doing fewer shows and torn between escapism and ambition.
Responses to an essay that criticized Anthony Fauci’s handling of the pandemic. Also: Migrants as props; abortion rights; David Milch; theater’s lessons.
Some audience members are turned off by mask mandates. Others won’t attend indoor performances without them. Arts presenters are taking different approaches this season.
After a two-year pandemic delay, villagers in the German town of Oberammergau are once again re-enacting the story of Jesus’s life and death, with some changes.
“American Buffalo,” at Circle in the Square, is sticking with masking till it closes, July 10, citing the “proximity of the audience to the actors” and “the staging in the round.”
Beginning in July, Broadway will no longer require audiences to mask up. Actors and theater workers aren’t loving the idea.
Beginning in July, Broadway will no longer require audiences to mask up. Actors and theater workers aren’t loving the idea.
Most theaters stopped requiring proof of vaccination this spring. Now they are going “mask optional.”
“The Lehman Trilogy” won best play, “Company” won best musical revival and “Take Me Out” won best revival of a play at the 75th Tony Awards.
The musical, which opened in 2017, is the third to announce a closing in two days, as many shows struggle in a pandemic-softened marketplace.
The decision comes at a time when New York City has declared a “high Covid alert.”
At times it felt like a game of survival. But during a Broadway season unlike any other, productions showed their resourcefulness while learning how to live with Covid.
The musical, which shuttered temporarily in January as the Omicron variant spread, has struggled with the slow return of tourists to the theater.
While for-profit theater owners and operators agreed to stop checking proof of vaccination this week, several nonprofit Broadway theaters continue to require it.
Broadway enthusiasts, art aficionados and food lovers will find new offerings in and around Times Square and in neighborhoods below 42nd Street, heralding the promise of a vibrant recovery.
The revival, directed by Camille A. Brown, received strong reviews but struggled to attract audiences and overcome challenges posed by Covid.