On ‘Best Medicine,’ Josh Charles Has a Heart
After years of playing smarmy characters, the actor is stepping up as the lead in a comedy about a grumpy but charming doctor.
After years of playing smarmy characters, the actor is stepping up as the lead in a comedy about a grumpy but charming doctor.
In “Marjorie Prime” and other works, Jordan Harrison delivers sweet-bitter anatomies of human connection mediated through technology destined to supersede us.
Welcome to a new year. It promises Ian McKellen, fresh jazz, free exhibitions, restored films and comedy with latkes.
Directores, actrices, políticas, médicos. Todos ellos tuvieron su momento bajo los reflectores y dejan una marca indeleble en la historia.
Over six decades she worked in theater, opera, film and television alongside luminaries like Alvin Ailey, Lena Horne, Agnes de Mille and Harry Belafonte.
The entertainer, who would have turned 100 this month, reinvented himself by starring in the musical version of Clifford Odets’s prizefighting drama “Golden Boy.”
Marquee names all, they found international fame in the arts, politics, the sciences and beyond.
Dahlak Brathwaite’s “Try/Step/Trip,” part of the Under the Radar festival, uses the language of step to express the liberating and restricting power of groups.
Critics look back on a year when the balcony scene in “Evita” became a social media phenomenon and audiences swooned for the bear in “Paddington: The Musical.”
Anthony Ramos loves hanging out with customers during busy days that may find him writing a new musical, catching a friend in a show or performing in his own.
The nonprofit organization New 42, which earned a Tony Honor for Excellence in the Theater this year, continues to pave the way for a revitalized Times Square.
What are you doing to greet 2026? Our suggestions include fancy parties, all-night dance-a-thons, choose-your-own movie double features and a pasta-making class.
A long-neglected one-act from a theatrical master offers the key to enjoying your family gatherings.
With its profanity-laced script, Lucas Hnath’s Molière adaptation, starring Matthew Broderick, is a mischievous clash of the old and the new.
Across film (“Sinners,” “One Battle After Another”), theater (“Ragtime”) and TV (“The Lowdown”), four works suggested what achieving racial equality in America would take.
The show reunited Kristin Chenoweth and Stephen Schwartz for the first time since “Wicked.” It wasn’t enough to counter poor word of mouth and other challenges.
The lawsuit, against the prominent Off Broadway theater, is backed by Edward Blum, who has long challenged race-based policies. Playwrights called it “meritless.”
At Greenwich House Theater, Greta Gertler Gold and Hilary Bell’s stage adaptation of Joan Lindsay’s novel hovers between reverie and reality.
Zohran Mamdani, New York’s mayor-elect, is among the latest politicians to be tagged with the term, raising the question: What did theater kids do to deserve such scorn?
En todas las disciplinas, estos 10 talentos dieron un salto de fe y lograron un gran éxito.
“I don’t do drugs anymore,” the actor and singer said, “but when a random baby in a stroller smiles at me, it feels like I just did a bump of coke.”
The couple are gearing up for the Broadway opening of “Bug,” about a descent into paranoia and psychosis in a squalid motel room.
Some had wondered how the show about Abraham Lincoln’s wife would fare after its creator left the Broadway cast. But mirth is abundant as it opens on the West End.
The musical was already one of theater’s biggest success stories. Then came Hollywood.
Audiences are falling in love with the title character in “Paddington: The Musical.” Bringing such a beloved bear to the stage was “a huge responsibility,” the show’s director said.
There is plenty of stimulation for young theatergoers in the Royal Shakespeare Company’s adaptation of Roald Dahl’s beloved book.
Catch Kristin Chenoweth basking in the excess, and Bill and Ted having a Beckettian adventure, before the curtain comes down on their productions and others.
Matthew Broderick plays Tartuffe and David Cross his naïve prey in this Lucas Hnath adaptation of a 17th-century French comedy classic.
In researching her new Broadway play, Bess Wohl interviewed my mother. After a performance, we all discussed the play and its themes.
A musical adaptation of the story will open at the Majestic Theater next spring. And yes, the score includes “Wind Beneath My Wings.”
This zany musical made it from the basement of a Manhattan grocery to London’s West End, and now hopes to become Broadway’s next hit comedy.
The potential Warner Bros. Discovery sale might jeopardize a lively outlet for artier stand-up shows like those of Sarah Sherman and Adam Pally.
Other picks include a family production of “The Snow Queen,” the Broadway-bound “Every Brilliant Thing” and the acclaimed comedy “Sorry for Your Loss.”
Across the arts, these 10 performers took a leap of faith this year and stuck the landing in a big way.
Naples, Fla., and Milwaukee are quite different, but have one thing in common: They are home to regional theaters that are thriving.
The actress stars in Thomas Kail’s luminous revival of Eugene O’Neill’s play about a woman whose past threatens her future.
The actor also stars in the Off Broadway production of “This World of Tomorrow,” a yearslong project at the Shed through Dec. 21.
Aunt Gladys. Tyler, the Creator. That sex scene in “The Naked Gun.” These are the things Culture staffers couldn’t stop thinking about this year.
A new London staging of the Stephen Sondheim and James Lapine musical makes the most of its comedic elements and delivers a visual treat.
The lauded play by Samuel D. Hunter is the first production of Scott Rudin’s comeback season. Despite positive reviews, sales have been soft.
His two-character work won a Pulitzer Prize and had a long Broadway run, but he never replicated its success and struggled to get his later work staged.
Savvy theater makers are exploring the debasing effects of online culture on relationships.
Popping up once a year, works like Dickens’s holiday tale, “Amahl and the Night Visitors” and “It’s a Wonderful Life” help us gauge where we are in our lives.
Lea Michele’s star turn in “Chess.” Kara Young as an 8-year-old. A 12-minute monologue delivered from a cloud. These are our favorite scenes from this year.
The Tony-nominated playwright was arrested last month on suspicion of attempted drug smuggling. He was released on Monday, Japanese officials said.
June Squibb stars in the Broadway premiere of Jordan Harrison’s meditation on grief and the nature of human and artificial intelligence.
In an interview, he revealed the Indian ragas, indie movies, comedy shows and museums in the city that stayed with him.
Copo, Diana, Suzy, Tomasa, Lana, Riso and Charlotte dance and prance inside the big tent.
They appeared on courts and carpets, stages and sidelines, screens big and small. And they all shaped notions of style and self-expression.
Mr. Ramos, Lincoln Center’s artist in residence, makes breakfast for his daughter before heading to the Metropolitan Opera House and a photo shoot — and his own birthday celebration.
The streaming giant has changed its strategy many times over the years. But the decision to get deeply into theatrical releases may be the most startling yet.
This production, which retains many of the charms of its 2019 Broadway staging, has lost some of its necessary darkness.
The filmmaker Chloé Zhao and the novelist-turned-screenwriter Maggie O’Farrell explained the changes they made in the tale of Shakespeare, his wife and their son.
Before returning to New York to lead Roundabout, Christopher Ashley is concluding his 18-year tenure at La Jolla Playhouse with the new musical “Working Girl.”
The Tony-nominated American playwright and actor has been in custody since airport customs officers found Ecstasy in his bag last month.
“The Faggots and Their Friends Between Revolutions” is a music theater piece based on Larry Mitchell and Ned Asta’s 1970s book.
The theater that drew acclaim last year for “Les Misérables” is hoping Paris can accept a new “Americano-French musical.”
Broadway is almost back, and pop music tours and sports events are booming. But Hollywood, museums and other cultural sectors have yet to bounce back.
Stagehands and other backstage workers have gone on strike against a prominent theater, and two productions have been canceled.
With less touring, it’s been a while since all the world has been its stage, but the troupe is working with the Chicago Shakespeare Theater — where it has family ties.
Mason, an associate director of “The Roommate,” which opened on Broadway last week, stepped in as Patti LuPone’s counterpart.
Broadway is still recovering from the pandemic. A state tax-credit program has helped, but watchdogs say it aids some shows that don’t need a boost.
Covid brought live performance to a halt. Now the audience for pop concerts and sporting events has roared back, while attendance on Broadway and at some major museums is still down.
In an effort to entice audiences back after the pandemic, Britain’s National Theater is testing a 6:30 p.m. curtain.
The small theaters that help make the city a theater capital are cutting back as they struggle to recover from the pandemic.
Readers discuss the decline in theater subscribers after the pandemic. Also: Northern Ireland; food allergies; a Covid playmate; anti-China bias.
Michael Paulson spoke with producers and artistic directors at nonprofit theaters across the country about the crisis their industry is facing.
As they struggle to recover after the pandemic, regional theaters are staging fewer shows, giving fewer performances, laying off staff and, in some cases, closing.
Suzan-Lori Parks wrote one play a day for 13 months during the pandemic. Those stories come to life onstage in the form of monologues, dialogues and songs at Joe’s Pub.
When shuttered venues embraced streaming during the pandemic, the arts became more accessible. With live performance back, and streams dwindling, many feel forgotten.
The veteran performance artist Karen Finley leads the audience through the troubles that plagued New York City at the peak of the pandemic.
A ceremony for the awards, celebrating work Off and Off Off Broadway, will be held Monday, but organizers decided to announce the winners in advance.
Broadway shows grossed $51.9 million during the holiday week, the most since 2019, and “The Lion King” set a record for the most earned by any show in a single week.
Stakeholders including Patti LuPone and Lynn Nottage share their real-time reactions to New York theater’s shutdown and reopening in Amy Rice’s documentary.
After one holiday season lost to the pandemic and another curtailed by Omicron, seasonal staples including “The Nutcracker,” “A Christmas Carol” and “Messiah” are back in force.
An annual survey, suspended during the pandemic, resumes and finds theaters nationally doing fewer shows and torn between escapism and ambition.
Responses to an essay that criticized Anthony Fauci’s handling of the pandemic. Also: Migrants as props; abortion rights; David Milch; theater’s lessons.
Some audience members are turned off by mask mandates. Others won’t attend indoor performances without them. Arts presenters are taking different approaches this season.
After a two-year pandemic delay, villagers in the German town of Oberammergau are once again re-enacting the story of Jesus’s life and death, with some changes.
“American Buffalo,” at Circle in the Square, is sticking with masking till it closes, July 10, citing the “proximity of the audience to the actors” and “the staging in the round.”
Beginning in July, Broadway will no longer require audiences to mask up. Actors and theater workers aren’t loving the idea.
Beginning in July, Broadway will no longer require audiences to mask up. Actors and theater workers aren’t loving the idea.
Most theaters stopped requiring proof of vaccination this spring. Now they are going “mask optional.”
“The Lehman Trilogy” won best play, “Company” won best musical revival and “Take Me Out” won best revival of a play at the 75th Tony Awards.
The musical, which opened in 2017, is the third to announce a closing in two days, as many shows struggle in a pandemic-softened marketplace.
The decision comes at a time when New York City has declared a “high Covid alert.”
At times it felt like a game of survival. But during a Broadway season unlike any other, productions showed their resourcefulness while learning how to live with Covid.
The musical, which shuttered temporarily in January as the Omicron variant spread, has struggled with the slow return of tourists to the theater.
While for-profit theater owners and operators agreed to stop checking proof of vaccination this week, several nonprofit Broadway theaters continue to require it.
Broadway enthusiasts, art aficionados and food lovers will find new offerings in and around Times Square and in neighborhoods below 42nd Street, heralding the promise of a vibrant recovery.
The revival, directed by Camille A. Brown, received strong reviews but struggled to attract audiences and overcome challenges posed by Covid.