‘The Emporium’ Review: Thornton Wilder Doesn’t Make the Sale
This newly discovered play by Wilder is part picaresque, part fable, featuring a Midwestern boy who dreams of working at a department store in the big city.
This newly discovered play by Wilder is part picaresque, part fable, featuring a Midwestern boy who dreams of working at a department store in the big city.
“Just in Time,” which for a year starred Jonathan Groff, is the first new musical from last season to make money for investors.
The composer Cinco Paul discusses the clever references to classic musicals everywhere you look (and hear) in his new Broadway show.
Eliya Smith’s disturbing teen dramedy explores the ambivalence and confusion of life on the brink of adulthood.
Derek Klena was a successful actor with a Tony nomination to his name. But he’s found a bigger audience with the barnstorming baseball sensation.
Our chief theater critic looks at this year’s nominees and makes some predictions (and recommendations).
During a midcareer renaissance, the “Abbott Elementary” and “Parent Trap” star is returning to stand-up, propelled by “the insanity of being a grown-ass woman.”
The actor gives a remarkable performance in a program of monologues at the intimate Minetta Lane Theater. Sepideh Moafi and Marianna Gailus also star.
In need of good times that don’t cost a dime? You’re in luck: As the weather heats up, the opportunities to have free fun are everywhere in the city. Here are some of our favorites.
The actresses both scored Tony nominations for their hilarious turns in Noël Coward’s 1925 farce. Also catch Ben Platt and Rachel Zegler in “The Last Five Years.”
The collection at the Library of Congress also added works by Weezer and Vince Gill, and a radio broadcast of a fight between Muhammad Ali and Joe Frazier.
For Nathan Lane, Taraji P. Henson, Daniel Radcliffe and other actors, it can take wigs, group hugs or banishing ghosts to make the transformation.
Ishmael Reed, provocateur and playwright, has a few words for the billionaires of Silicon Valley.
Joshua Henry, a Tony nominee for his thrilling performance in “Ragtime,” credits the demanding role with helping him “feel like I have mastered the voice.”
Here are some of the brilliant moments our writers can’t shake from this year’s batch of Tony-nominated productions.
Inspired by the popular film series, the play has already run in Britain and in four U.S. cities. It arrives in New York in August after a Boston stop.
A genre of plays has emerged in which the characters and events are real — even when the dialogue isn’t.
A stale revival of Adam Bock’s cog-in-the-office-machine dark comedy lacks specificity and bite.
The writer Pamela Redmond talks about her new play, “Old Woman Naked,” why her kids won’t see it and whether she’d have done the show without GLP-1s.
“The midcentury architecture is fascinating. It’s also a place where I’m outside almost every waking hour of the day.”
Isa Briones, who plays Dr. Trinity Santos, is also starring in “Just in Time” on Broadway. She’s still getting used to all the love from her fans.
Barack Obama, Kim Kardashian and Bowen Yang have all signed on as co-producers of Broadway shows. Our theater reporter Michael Paulson explains why.
The Ministry of Awe, a new immersive experience in a former bank in Philadelphia, aims to help locate the wondrous in the everyday.
The long-running musical, one of Broadway’s biggest hits, will be closed through at least May 17 after an electrical fire in its lighting booth.
Shakespeare’s brooding prince comes off as bored at the Brooklyn Academy of Music. But Bedlam’s lean production of “Othello” is positively thrilling.
What does it take to play Frank-N-Furter in “The Rocky Horror Show” on Broadway? Fishnets, five-inch heels, and an endless supply of glitter.
With her dance partner and onetime husband, Juan Carlos Copes, she reinvented tango for a global stage, including in the hit stage show “Tango Argentino.”
Lea Michele, Adrien Brody and other boldface names were left out, while June Squibb, André De Shields and Layton Williams as an iceberg were among the surprises.
The nominated performers include the film stars Daniel Radcliffe, Rose Byrne, John Lithgow and Lesley Manville.
Nominations for the 79th Tony Awards were announced on Tuesday. Here’s who made the list.
The prize board called the playwright Bess Wohl’s work “a striking blend of comedy and sincerity.”
The New York Fire Department said there was “substantial damage” to a room containing lighting equipment at the Eugene O’Neill Theater in Manhattan.
Michele on Streisand. Hudson on Holliday. Chenoweth on Menzel. Ten insiders (and five Times writers) testify to the thrill of the big Broadway sound.
Audiences are flocking to shows starring Patrick Ball of “The Pitt,” Jon Bernthal and Ayo Edebiri of “The Bear,” Ben Ahlers of “The Gilded Age” and more.
Patrick Ball, Melissa Barrera, Adrien Brody, Tessa Thompson and Ben Ahlers discuss the demands of live performance as they make their Broadway debuts.
Wilson’s 2024 adaptation of Herman Melville’s classic, with music by the British singer-songwriter Anna Calvi, has a short run at the Brooklyn Academy of Music.
In three U.S. cities, a new production of the playwright’s cabdriver drama “Jitney” will be imported from Italy.
A buzzy revival of Andrew Lloyd Webber’s hit 1970s musical will transfer to New York next spring, but without its signature outdoor scene.
The actors connected quickly as they prepared to make their Broadway debuts in a new revival of David Auburn’s Pulitzer- and Tony-winning play.
The Manhattan Theater Club production will bring the actress back to the stage next spring, four years after her last Broadway production.
David Henry Hwang revised the Rodgers & Hammerstein classic 25 years ago. Now he gets to remedy some of his own remake’s flaws.
The latest trend on Broadway is celebrity co-producing: A-listers who now have credits as backers of plays and musicals.
The rapper will perform in “Moulin Rouge!” for the final time on Friday, though the production didn’t say why she was leaving more than two weeks early.
The play, by Jack Holden and Ed Stambollouian at the Lucille Lortel Theater, tells the story of a brutal bully who was shot and killed in plain view.
A Broadway musical adaptation of the 1987 movie gets a lot of mileage from ’80s rocker aesthetics and over-the-top spectacle — until its second half.
Readers respond to an Opinion guest essay by Eric Alterman, about the power of the Arthur Miller play. Also: Patients and chatbots.
This revival starring Cedric the Entertainer and Taraji P. Henson may be uneven at times, but it still unlocks Wilson’s mysterious drama.
In the play “Rheology,” a son and his mother grapple, in very different ways, with what her eventual death will mean.
Mr. Ferguson, best known for starring in the sitcom “Modern Family,” has leaned back into his theater roots with a turn as Truman Capote.
Rose Byrne in “Fallen Angels,” a couple trapped in the musical village of “Schmigadoon!” and “The Rocky Horror Show” at Studio 54: These productions are worth seeing.
Sam Pinkleton’s new revival at Studio 54 gives us the big gay mayhem we want while also maintaining some order via Rachel Dratch’s droll Narrator.
A new musical version of the 1980s tear-jerker comes to Broadway, but the production is too muddled to make an emotional impact.
Mark Gatiss plays a Charlie Chaplin-like dictator in a timely Royal Shakespeare Company revival.
“Live From the 10th Floor,” a video series, invites actors, musicians and other artists to perform at The Times’s Midtown Manhattan headquarters.
David Lindsay-Abaire’s comedy about a wealthy homeowners association thrown into disarray makes a case for the same social compact it skewers.
Cecily Strong and Corey Stoll star in this two-hander about connecting over a meal that becomes much deeper than two colleagues socializing out-of-office.
“The Fear of 13,” about a man who spent two decades on death row for a murder he didn’t commit, is a story that the playwright says she “couldn’t shake.”
Cinco Paul’s loving spoof of Golden Age musicals, adapted from a TV series, comes to Broadway, where its charming musical numbers can really shine.
Al confirmar la ubicación precisa de la casa de William Shakespeare en Blackfriars, una académica británica plantea nuevas preguntas sobre qué pretendía hacer con ella.
Lust is the comic engine driving the action of a riotous revival of one of Noël Coward’s early plays, with Rose Byrne and Kelli O’Hara, at Todd Haimes Theater.
When an actress in Shawn’s play “What We Did Before Our Moth Days” got Covid, he took on the role.
Naples, Fla., and Milwaukee are quite different, but have one thing in common: They are home to regional theaters that are thriving.
Broadway is almost back, and pop music tours and sports events are booming. But Hollywood, museums and other cultural sectors have yet to bounce back.
Stagehands and other backstage workers have gone on strike against a prominent theater, and two productions have been canceled.
With less touring, it’s been a while since all the world has been its stage, but the troupe is working with the Chicago Shakespeare Theater — where it has family ties.
Mason, an associate director of “The Roommate,” which opened on Broadway last week, stepped in as Patti LuPone’s counterpart.
Broadway is still recovering from the pandemic. A state tax-credit program has helped, but watchdogs say it aids some shows that don’t need a boost.
Covid brought live performance to a halt. Now the audience for pop concerts and sporting events has roared back, while attendance on Broadway and at some major museums is still down.
In an effort to entice audiences back after the pandemic, Britain’s National Theater is testing a 6:30 p.m. curtain.
The small theaters that help make the city a theater capital are cutting back as they struggle to recover from the pandemic.
Readers discuss the decline in theater subscribers after the pandemic. Also: Northern Ireland; food allergies; a Covid playmate; anti-China bias.
Michael Paulson spoke with producers and artistic directors at nonprofit theaters across the country about the crisis their industry is facing.
As they struggle to recover after the pandemic, regional theaters are staging fewer shows, giving fewer performances, laying off staff and, in some cases, closing.
Suzan-Lori Parks wrote one play a day for 13 months during the pandemic. Those stories come to life onstage in the form of monologues, dialogues and songs at Joe’s Pub.
When shuttered venues embraced streaming during the pandemic, the arts became more accessible. With live performance back, and streams dwindling, many feel forgotten.
The veteran performance artist Karen Finley leads the audience through the troubles that plagued New York City at the peak of the pandemic.
A ceremony for the awards, celebrating work Off and Off Off Broadway, will be held Monday, but organizers decided to announce the winners in advance.
Broadway shows grossed $51.9 million during the holiday week, the most since 2019, and “The Lion King” set a record for the most earned by any show in a single week.
Stakeholders including Patti LuPone and Lynn Nottage share their real-time reactions to New York theater’s shutdown and reopening in Amy Rice’s documentary.
After one holiday season lost to the pandemic and another curtailed by Omicron, seasonal staples including “The Nutcracker,” “A Christmas Carol” and “Messiah” are back in force.
An annual survey, suspended during the pandemic, resumes and finds theaters nationally doing fewer shows and torn between escapism and ambition.
Responses to an essay that criticized Anthony Fauci’s handling of the pandemic. Also: Migrants as props; abortion rights; David Milch; theater’s lessons.
Some audience members are turned off by mask mandates. Others won’t attend indoor performances without them. Arts presenters are taking different approaches this season.
After a two-year pandemic delay, villagers in the German town of Oberammergau are once again re-enacting the story of Jesus’s life and death, with some changes.
“American Buffalo,” at Circle in the Square, is sticking with masking till it closes, July 10, citing the “proximity of the audience to the actors” and “the staging in the round.”
Beginning in July, Broadway will no longer require audiences to mask up. Actors and theater workers aren’t loving the idea.
Beginning in July, Broadway will no longer require audiences to mask up. Actors and theater workers aren’t loving the idea.
Most theaters stopped requiring proof of vaccination this spring. Now they are going “mask optional.”
“The Lehman Trilogy” won best play, “Company” won best musical revival and “Take Me Out” won best revival of a play at the 75th Tony Awards.
The musical, which opened in 2017, is the third to announce a closing in two days, as many shows struggle in a pandemic-softened marketplace.
The decision comes at a time when New York City has declared a “high Covid alert.”
At times it felt like a game of survival. But during a Broadway season unlike any other, productions showed their resourcefulness while learning how to live with Covid.
The musical, which shuttered temporarily in January as the Omicron variant spread, has struggled with the slow return of tourists to the theater.
While for-profit theater owners and operators agreed to stop checking proof of vaccination this week, several nonprofit Broadway theaters continue to require it.
Broadway enthusiasts, art aficionados and food lovers will find new offerings in and around Times Square and in neighborhoods below 42nd Street, heralding the promise of a vibrant recovery.
The revival, directed by Camille A. Brown, received strong reviews but struggled to attract audiences and overcome challenges posed by Covid.