‘Vanya on Huron Street’ Review: Chekhov in Brooklyn
Instead of a departure, the writer and director Matthew Gasda’s take on “Uncle Vanya” at the Brooklyn Center for Theater Research tends to adhere to the original.
Instead of a departure, the writer and director Matthew Gasda’s take on “Uncle Vanya” at the Brooklyn Center for Theater Research tends to adhere to the original.
The show, with music by Marvin Laird, portrayed a schoolgirl’s murderous theatrical ambition. Paley also performed in the parody dance group Les Ballets Trockadero.
Local artists straddle aesthetic and artistic worlds in the land of mega-spectacles and oversize flash.
After she married Mark Rylance, the two often collaborated; her specialty was arranging music for Tudor-era plays. Then she wrote a period piece of her own.
Striving to widen the audience of dance, she brought vitality to Broadway musicals like “Swing!” as well as ballets and Hollywood films.
It’s a glimpse at a long-lost era, but not the one the characters sing about.
During a pandemic lockdown, out-of-work actors turned to the video game Grand Theft Auto Online, where a tortured soliloquy may be interrupted by a rocket launcher.
This month’s picks include “Prima Facie,” intimate audio plays and bite-size dramas.
She won many accolades — and was honored with a damehood — during a seven-decade career on the London stage, in film and on Broadway.
“Show/Boat: A River” reverses the racial lens on the great-grandfather of American musicals.
The “Succession” actor and his wife, Heather Rasche, have made their home in Maplewood, N.J., all about family.
Stories from refugee children, gloriously morbid puppets and a rooster who defies a dictator. These are some of the offbeat offerings this January.
The students in a summer acting course performed a play set in America, called, “It’s okay!” And it gave them hope that their lives would be OK, too.
Seaview, whose buzzy shows include “Romeo + Juliet,” has seized a chance to have its own theater by taking over Second Stage’s former Off Broadway home.
Onstage, the flip-side of filial devotion has often been contempt. But a wave of forceful and multidimensional mothers suggests that may be changing.
The stage employees union accused the nonprofit theater of stalling talks. The strike forced the cancellation of Sunday performances of two new plays.
She was an aspiring actor when she was cast in an Andy Warhol film called “Tub Girls.” But she was best known for the beloved Off Center Theater.
Monica Bill Barnes and Robbie Saenz de Viteri ring in the New Year in their physical and introspective “Many Happy Returns.”
In his State of the City address, the mayor focused on safety and affordability and only briefly alluded to his own challenging circumstances.
What happened to “Sunset Boulevard,” “Back to the Future,” “Cinderella” and “Tammy Faye” when they crossed the Atlantic?
Why shouldn’t “Gypsy” engage in a little creative anachronism?
A prominent practitioner of the historically grand productions that were once fashionable at the Met, he was especially well known for his stagings of Wagner.
Looking for something to do in New York? Explore the percussive side of saxophones with PRISM Quartet and Miguel Zenón or introduce the kids to “The Iron Giant.”
A revival called “Show/Boat: A River” joins a history of reimagining the musical that goes back nearly a century, to its first performances.
The French activists behind the hashtag #MeTooThéâtre have devised a play that shows the personal cost of bringing abuse claims to light.
69 Atlantic hosts weekly shows by the world’s best magicians in a suitably intimate setting.
He worked with the playwright John Guare in mounting his “House of Blue Leaves,” and they helped turn “The Two Gentlemen of Verona” into a hit musical.
James Lee Williams, a quien se le conocía mejor por su nombre artístico, también hizo carrera en el teatro musical.
651 Arts, dedicated to African diasporic performance, now has its own space to support work like the choreographer André Zachery’s “Against Gravity.”
James Lee Williams was best known by that stage name and also built a career in musical theater.
The Ontological-Hysteric Theater, which he founded in 1968, presented more than 50 of his plays, among them “My Head Was a Sledgehammer” and “Permanent Brain Damage.”
She was a radiant star who played things her own way.
Several festivals, including Under the Radar, are bringing a tantalizing breadth of new work to stages across New York.
Some recommendations for visitors and residents who want to get the most from the city’s varied theater scene.
The actress is starring in the Broadway play “Cult of Love,” about a dysfunctional family gathered for the holidays. That means another month of caroling.
He was a regular at the mountain resorts where many comedians honed their acts, then had a star turn in the long-running revue “Catskills on Broadway.”
“Severance” is finally back for its second season, three New York art museums are set to reopen and ballet goes extreme.
The performer discusses her Off Broadway musical about warring queens. “Everyone can connect to being a young person not feeling understood,” she said.
She won two Golden Globe Awards and an Emmy nomination for her role on the show. She also earned a Tony Award for best actress in the play “Broadway Bound.”
Among the notable figures who died in a sometimes polarizing 2024, many championed justice, equal rights and political freedom.
A film adaptation onstage, a Broadway classic, comedy galore: These are the productions worth knowing about this holiday season.
Thornton Wilder’s classic, starring Jim Parsons, wraps up, as does Leslye Headland’s angsty family drama. Catch these and other plays while you can.
A look at the piano designs for some of the various versions of August Wilson’s play, including the latest film adaptation.
Over three decades, Sally Vahle has played Scrooge, ghosts and many of the other characters in Dallas Theater Center’s annual production of the Dickens classic.
As pop culture continues to fracture, our critic was drawn to art and performances that explored universal themes by way of specific settings.
A new biography of Goethe approaches its subject through his masterpiece and life’s work, the verse drama “Faust.”
Dave Malloy’s musical, which was a hit in New York, comes to London in an antirealist staging that loses the 1812 setting and some emotional punch.
With less touring, it’s been a while since all the world has been its stage, but the troupe is working with the Chicago Shakespeare Theater — where it has family ties.
Mason, an associate director of “The Roommate,” which opened on Broadway last week, stepped in as Patti LuPone’s counterpart.
Broadway is still recovering from the pandemic. A state tax-credit program has helped, but watchdogs say it aids some shows that don’t need a boost.
Covid brought live performance to a halt. Now the audience for pop concerts and sporting events has roared back, while attendance on Broadway and at some major museums is still down.
In an effort to entice audiences back after the pandemic, Britain’s National Theater is testing a 6:30 p.m. curtain.
The small theaters that help make the city a theater capital are cutting back as they struggle to recover from the pandemic.
Readers discuss the decline in theater subscribers after the pandemic. Also: Northern Ireland; food allergies; a Covid playmate; anti-China bias.
Michael Paulson spoke with producers and artistic directors at nonprofit theaters across the country about the crisis their industry is facing.
As they struggle to recover after the pandemic, regional theaters are staging fewer shows, giving fewer performances, laying off staff and, in some cases, closing.
Suzan-Lori Parks wrote one play a day for 13 months during the pandemic. Those stories come to life onstage in the form of monologues, dialogues and songs at Joe’s Pub.
When shuttered venues embraced streaming during the pandemic, the arts became more accessible. With live performance back, and streams dwindling, many feel forgotten.
The veteran performance artist Karen Finley leads the audience through the troubles that plagued New York City at the peak of the pandemic.
A ceremony for the awards, celebrating work Off and Off Off Broadway, will be held Monday, but organizers decided to announce the winners in advance.
Broadway shows grossed $51.9 million during the holiday week, the most since 2019, and “The Lion King” set a record for the most earned by any show in a single week.
Stakeholders including Patti LuPone and Lynn Nottage share their real-time reactions to New York theater’s shutdown and reopening in Amy Rice’s documentary.
After one holiday season lost to the pandemic and another curtailed by Omicron, seasonal staples including “The Nutcracker,” “A Christmas Carol” and “Messiah” are back in force.
An annual survey, suspended during the pandemic, resumes and finds theaters nationally doing fewer shows and torn between escapism and ambition.
Responses to an essay that criticized Anthony Fauci’s handling of the pandemic. Also: Migrants as props; abortion rights; David Milch; theater’s lessons.
Some audience members are turned off by mask mandates. Others won’t attend indoor performances without them. Arts presenters are taking different approaches this season.
After a two-year pandemic delay, villagers in the German town of Oberammergau are once again re-enacting the story of Jesus’s life and death, with some changes.
“American Buffalo,” at Circle in the Square, is sticking with masking till it closes, July 10, citing the “proximity of the audience to the actors” and “the staging in the round.”
Beginning in July, Broadway will no longer require audiences to mask up. Actors and theater workers aren’t loving the idea.
Beginning in July, Broadway will no longer require audiences to mask up. Actors and theater workers aren’t loving the idea.
Most theaters stopped requiring proof of vaccination this spring. Now they are going “mask optional.”
“The Lehman Trilogy” won best play, “Company” won best musical revival and “Take Me Out” won best revival of a play at the 75th Tony Awards.
The musical, which opened in 2017, is the third to announce a closing in two days, as many shows struggle in a pandemic-softened marketplace.
The decision comes at a time when New York City has declared a “high Covid alert.”
At times it felt like a game of survival. But during a Broadway season unlike any other, productions showed their resourcefulness while learning how to live with Covid.
The musical, which shuttered temporarily in January as the Omicron variant spread, has struggled with the slow return of tourists to the theater.
While for-profit theater owners and operators agreed to stop checking proof of vaccination this week, several nonprofit Broadway theaters continue to require it.
Broadway enthusiasts, art aficionados and food lovers will find new offerings in and around Times Square and in neighborhoods below 42nd Street, heralding the promise of a vibrant recovery.
The revival, directed by Camille A. Brown, received strong reviews but struggled to attract audiences and overcome challenges posed by Covid.