‘Titaníque’ Review: A Wild Joyride With Celine Dion as Our Kooky Guide
This “Titanic” parody fueled by Dion’s hits, silly ad-libs and pop culture references had the humblest of beginnings. Now the show has docked on Broadway.
This “Titanic” parody fueled by Dion’s hits, silly ad-libs and pop culture references had the humblest of beginnings. Now the show has docked on Broadway.
The hit musical about the beloved bear won seven awards at Britain’s equivalent of the Tonys. “Evita,” starring Rachel Zegler, took home two prizes.
Before each performance, the actor sprints around the Hudson Theater enlisting audience members to take part in the interactive show.
What can we learn from April, a month of contradictions that never cleanly resolve themselves?
Mfundi Vundla spent 21 years in exile and created the popular television show “Generations.” His latest project is a play that explores the imperfections of the fight against apartheid.
Arthur Miller’s classic tragedy returns to Broadway, starring Nathan Lane and Laurie Metcalf. Yet again, it is a triumph.
Songs by the pop singer-songwriter are part of the Broadway shows “& Juliet” and “Moulin Rouge! The Musical.”
The actress, a star of “Gone Girl” and “Saltburn,” will play a judge whose personal experience as the mother of a son tests her courtroom approach to justice.
In the Off Broadway show, “Burnout Paradise” performers run on treadmills while doing various tasks. The show, and its actors, are slated to run at Astor Place Theater through June 28.
The Roundabout Theater Company stages shows in Studio 54, once a famous disco. It doesn’t have a permanent stage or an orchestra pit.
For their 10th life, the cats strut and duckwalk in a reappraisal of Andrew Lloyd Webber’s 1981 musical, which has shifted to the queer ballroom scene.
The new musical is trying to calibrate just how much to rein in the audience participation that longtime fans are used to.
The entrepreneur Glen Tullman is betting people want to dress up and watch magicians in a luxury setting. Either it will work or $50 million will go poof.
Five of the show’s stars strutted and prowled amid the desks of T Magazine.
Cast members from “Cats: The Jellicle Ball” — Jonathan Burke, Dava Huesca, Primo Thee Ballerino, Baby Byrne and Dudney Joseph Jr. — perform a mischievous number called “Mungojerrie and Rumpleteazer” in the T Magazine office.
Alden Ehrenreich makes a show-stealing Broadway debut in Gina Gionfriddo’s comedy about two old friends, one disastrous blind date and the dicey aftermath.
I was onstage for the first Broadway version of ‘Cats.’ A new reimagining showed me something about the show I never expected.
She knew nothing about lighting when the director Robert Wilson asked her to work on his shows, and later spent over 40 years as a designer for Danspace Project.
The directors Michael DeFilippis, Dmitry Krymov and Aleksandr Molochnikov all infuse their current productions with a burning, modern rage.
In “Burnout Paradise,” four performers try ambitious tasks while jogging. If they can’t beat their run time goal, the audience gets its money back.
When an actress in Shawn’s play “What We Did Before Our Moth Days” got Covid, he took on the role.
The rapper was back onstage in “Moulin Rouge” two days after being taken to a hospital after becoming ill during a performance.
Hubbard Street Dance Chicago and the Off Broadway revue “Gotta Dance!” shine a light on repertory that is too often overlooked.
The rapper was rushed to the hospital midway through a performance of “Moulin Rouge! The Musical” on Tuesday. She is expected to return to the show on Thursday.
Two Shakespeare adaptations — Teatro La Plaza’s uplifting remix and Red Bull Theater’s gore fest — place very different values on human existence.
The sincerity of the play’s two stars shines through in Robert Icke’s new London production.
Jennifer Tilly and Daphne Rubin-Vega in “The Adding Machine,” plus Jane Fonda in an eco-musical and Cecily Strong and Corey Stoll as a couple on their first date.
This month brings Barry Manilow and Martha Graham, Earth Day and Easter, as well as a pickle tour and a little night music.
The taboo-busting, gasp-inducing Broadway musical comedy has been a hit with audiences and critics. But could it be produced today?
A raucous adaptation of a gritty portrait of New York stifles tension with comedy, leaving its stars, Jon Bernthal and Ebon Moss-Bachrach, adrift.
An experimental theater veteran, he collected the ephemera of his friends and colleagues. As they began to die, he made shrines honoring them.
In her “Trilogy of Funerals,” the Spanish provocateur Angélica Liddell shows a sense of vulnerability that will surprise longtime watchers of her work.
Joe Mantello’s Broadway revival, starring Nathan Lane and Laurie Metcalf, was inspired by a draft with notes by Arthur Miller. Here are some of them.
The Upper West Side performing arts venue will take its programming across the city while its doors close for a 15-month overhaul.
Starting in May, Hargitay will make her Broadway debut in “Every Brilliant Thing,” an elastic play that shape shifts to fit a distinctly different star.
Trained as a playwright, he got his first TV writing job on “St. Elsewhere,” then worked on “Homicide: Life on the Street,” “The Wire,” “Treme” and “Bosch.”
One hundred years after it was banned for its depiction of hedonism, the rhythmic, jazz-soaked poetry of Joseph Moncure March continues to find new life.
Jon Bernthal and Ebon Moss-Bachrach are both making their Broadway debut in a high-stakes adaptation of the beloved 1975 film “Dog Day Afternoon.”
They can shake off those winter doldrums by hunting for Easter eggs, running the bases at Brooklyn Cyclones’ ballpark or gliding down Slide Hill on Governors Island.
Michael Paulson reports from New York, and Alex Marshall reports from London, to compare theater prices for the same shows on both sides of the Atlantic.
For half the price of a great seat at a Broadway show, you can see “Paddington” in the West End (if you can find a ticket) and snack on a marmalade sandwich.
The longtime owner of the restaurant, a Theater District mainstay, is bowing out, and the Shubert Organization plans to reopen after a renovation, with the celebrity caricatures intact.
A favorite of actors like Maggie Smith, he produced dozens of plays, including “The Audience,” about Queen Elizabeth II, which was made into the Netflix show “The Crown.”
With a musical language they can appreciate, Americans could more easily find opera’s appeal.
A new play at the Public Theater written by Michael J. Chepiga and the former ambassador Julissa Reynoso is a diplomatic memoir of sorts, and a meditation on loving one’s country.
The singer Self Esteem, aka Rebecca Lucy Taylor, is an incarnation of late 1960s counterculture in a new London production of David Hare’s “Teeth ‘n’ Smiles.”
A week before opening night, tensions spilled over offstage, with the show’s producing team temporarily prohibiting Stephen Adly Guirgis from entering the theater.
Entranced by traditional Balinese puppet theater, he developed a modern, multicultural version that he performed around the world.
Audience reactions are a staple of standup specials. But they’re a strange device when you take a closer look.
In Mark Rosenblatt’s play, a powerful portrayal of the beloved children’s book author who almost gleefully exposes his bigotry.
“Antigone” gave us the original “bad girl,” but its themes go beyond that. How do adaptations keep making Sophocles’ ideas about democracy and theater new?
Antigone, an ancient Greek play, is being adapted in several theaters across New York City. Our critic Helen Shaw explains why Sophocles’s anti-heroine is such a relevant figure today.
An adaptation has a twist that doesn’t track, and songs that benefit from an excellent cast, including Norm Lewis, Sierra Boggess and Adam Jacobs.
Daniel Radcliffe in “Every Brilliant Thing,” “The Wild Party” and two Cold War-era comedy-thrillers: These are productions worth knowing about.
Two monologue revivals — Jesse Tyler Ferguson as Truman Capote and Wallace Shawn’s solo — reveal how wealth warps our perceptions. Only one pays dividends.
Encores! revisits a Jazz Age tale of debauchery, with showstoppers from Jasmine Amy Rogers, Adrienne Warren, Jordan Donica, Tonya Pinkins and others.
In a distinguished career in classical and contemporary plays, she drew acclaim on both sides of the Atlantic for her dramatic portrayal of the French singer Édith Piaf.
Tamara McCaw, a longtime arts leader with experience at the Brooklyn Academy of Music, will lead it with a focus on stability.
A full-scale production of the Bengsons’ deeply personal memoir musical is delivered via anthemic songs and remnants of home.
David Ireland’s satire follows a Hollywood actor whose cluelessness leads to a combustible confrontation.
The lawsuit objected to a “BIPOC night” program at Playwrights Horizons, an Off Broadway nonprofit.
Joined by Daniel Radcliffe, Groff stars in the hit Broadway production of the Sondheim musical. And there are (count ’em) three productions of “The Importance of Being Earnest” this month.
“School Girls; or, The African Mean Girls Play,” written by Jocelyn Bioh and directed by Whitney White, will start performances in September.
Is there anyone John Lithgow can’t — or won’t — play?
Ahead of a vote on whether to close the center for two years of construction, the president criticized its previous financial management and physical condition.
James Caverly and Andrew Morrill star as Deaf roommates in their new comedy at the Perelman Performing Arts Center.
Naples, Fla., and Milwaukee are quite different, but have one thing in common: They are home to regional theaters that are thriving.
Broadway is almost back, and pop music tours and sports events are booming. But Hollywood, museums and other cultural sectors have yet to bounce back.
Stagehands and other backstage workers have gone on strike against a prominent theater, and two productions have been canceled.
With less touring, it’s been a while since all the world has been its stage, but the troupe is working with the Chicago Shakespeare Theater — where it has family ties.
Mason, an associate director of “The Roommate,” which opened on Broadway last week, stepped in as Patti LuPone’s counterpart.
Broadway is still recovering from the pandemic. A state tax-credit program has helped, but watchdogs say it aids some shows that don’t need a boost.
Covid brought live performance to a halt. Now the audience for pop concerts and sporting events has roared back, while attendance on Broadway and at some major museums is still down.
In an effort to entice audiences back after the pandemic, Britain’s National Theater is testing a 6:30 p.m. curtain.
The small theaters that help make the city a theater capital are cutting back as they struggle to recover from the pandemic.
Readers discuss the decline in theater subscribers after the pandemic. Also: Northern Ireland; food allergies; a Covid playmate; anti-China bias.
Michael Paulson spoke with producers and artistic directors at nonprofit theaters across the country about the crisis their industry is facing.
As they struggle to recover after the pandemic, regional theaters are staging fewer shows, giving fewer performances, laying off staff and, in some cases, closing.
Suzan-Lori Parks wrote one play a day for 13 months during the pandemic. Those stories come to life onstage in the form of monologues, dialogues and songs at Joe’s Pub.
When shuttered venues embraced streaming during the pandemic, the arts became more accessible. With live performance back, and streams dwindling, many feel forgotten.
The veteran performance artist Karen Finley leads the audience through the troubles that plagued New York City at the peak of the pandemic.
A ceremony for the awards, celebrating work Off and Off Off Broadway, will be held Monday, but organizers decided to announce the winners in advance.
Broadway shows grossed $51.9 million during the holiday week, the most since 2019, and “The Lion King” set a record for the most earned by any show in a single week.
Stakeholders including Patti LuPone and Lynn Nottage share their real-time reactions to New York theater’s shutdown and reopening in Amy Rice’s documentary.
After one holiday season lost to the pandemic and another curtailed by Omicron, seasonal staples including “The Nutcracker,” “A Christmas Carol” and “Messiah” are back in force.
An annual survey, suspended during the pandemic, resumes and finds theaters nationally doing fewer shows and torn between escapism and ambition.
Responses to an essay that criticized Anthony Fauci’s handling of the pandemic. Also: Migrants as props; abortion rights; David Milch; theater’s lessons.
Some audience members are turned off by mask mandates. Others won’t attend indoor performances without them. Arts presenters are taking different approaches this season.
After a two-year pandemic delay, villagers in the German town of Oberammergau are once again re-enacting the story of Jesus’s life and death, with some changes.
“American Buffalo,” at Circle in the Square, is sticking with masking till it closes, July 10, citing the “proximity of the audience to the actors” and “the staging in the round.”
Beginning in July, Broadway will no longer require audiences to mask up. Actors and theater workers aren’t loving the idea.
Beginning in July, Broadway will no longer require audiences to mask up. Actors and theater workers aren’t loving the idea.
Most theaters stopped requiring proof of vaccination this spring. Now they are going “mask optional.”
“The Lehman Trilogy” won best play, “Company” won best musical revival and “Take Me Out” won best revival of a play at the 75th Tony Awards.
The musical, which opened in 2017, is the third to announce a closing in two days, as many shows struggle in a pandemic-softened marketplace.
The decision comes at a time when New York City has declared a “high Covid alert.”
At times it felt like a game of survival. But during a Broadway season unlike any other, productions showed their resourcefulness while learning how to live with Covid.
The musical, which shuttered temporarily in January as the Omicron variant spread, has struggled with the slow return of tourists to the theater.
While for-profit theater owners and operators agreed to stop checking proof of vaccination this week, several nonprofit Broadway theaters continue to require it.
Broadway enthusiasts, art aficionados and food lovers will find new offerings in and around Times Square and in neighborhoods below 42nd Street, heralding the promise of a vibrant recovery.
The revival, directed by Camille A. Brown, received strong reviews but struggled to attract audiences and overcome challenges posed by Covid.