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Finding a Common Thread in Jonathan Larson’s Unheard Music
“The Jonathan Larson Project,” a years-in-the-making musical collage of Larson’s life, features songs he wrote before he died. Now it’s onstage at the Orpheum.
“The Jonathan Larson Project,” a years-in-the-making musical collage of Larson’s life, features songs he wrote before he died. Now it’s onstage at the Orpheum.
Mino Lora, who co-founded the People’s Theatre with her husband, has a double breakfast, a dance break and a bilingual reading session to wrap up her night.
An operatic soprano, she had high-profile roles on film and stage in the 1950s. But after that, she mostly spent her career away from the limelight.
Enda Walsh’s formal experiment, at St. Ann’s Warehouse, finds him in pared-back mode.
El dominio del presidente Trump sobre Washington se ha extendido a una institución fundamental para la vida cultural de la ciudad.
Nick Jonas, Sadie Sink and Christian Slater are among this year’s unusually large cohort of stars who first appeared onstage as tweens or even younger.
Bess Wohl’s moving new play, about a group of women in 1970s Ohio, explores the power of sisterhood and the limits of motherhood.
He is making his Broadway debut with a stage version of his 2005 movie “Good Night, and Good Luck.” He’s ready, but also terrified.
Todd Almond wrote an oral history on Conor McPherson’s “Girl From the North Country” and its passage through Broadway’s pandemic shutdown.
The actress won a Tony Award for “The Color Purple,” and is now nominated for an Oscar for playing Elphaba in the film adaptation of “Wicked.”
Act 1 was a constant struggle for rent and opportunity. But now that these emerging dramatists have emerged, what will they make of Act 2?
The actor, on a hot streak after “Wicked,” takes on his biggest stage role to date. In London, he plays Shakespeare’s unfortunate king as a flouncing sociopath.
What will a thin-skinned showman do with an institution central to Washington’s cultural life? One expectation is more country music.
A letter signed by 463 playwrights, poets, dancers, visual artists and others pushes back against new grant requirements that bar the promotion of diversity or “gender ideology.”
One of the busiest stage directors in Europe is fully arriving, at last, with “The Threepenny Opera” this spring.
“Let Me Be Your Star,” which evokes an actor’s longing to shine, has come a long way from its TV days. Here’s how the song evolved on its way to the stage.
“The Years,” running in London, dramatizes a woman’s life from teenage thrills to later-life sex. One intense scene is causing audience members to pass out.
Onstage, Denzel Washington is Othello, and Paul Mescal is Stanley Kowalski as stars illuminate the theater marquees. Plus: FKA twigs takes “Eusexua” on tour. Bang on a Can, Twyla Tharp, and much more.
The Tony-winning actress co-stars with Bernadette Peters in “Stephen Sondheim’s Old Friends,” a show that is letting her surprise audiences with her comedy chops.
He and his wife, Vy Higginsen, poured all they had into “Mama, I Want to Sing,” a long-shot musical that became an enduring staple of Black theater.
A bare-bones Chekhov, a critically acclaimed revival of “The Wedding Band” and the cult TV series “Smash” are all available for streaming.
The “Wicked” belter scales a 300-foot tree, and a mountain of songs, in a powerful if woo-woo musical about trauma and resilience.
Stagehands and other backstage workers have gone on strike against a prominent theater, and two productions have been canceled.
His designs for Jimi Hendrix, the Who and others embodied the spirit of the psychedelic era. He also created images for stage shows like “Godspell.”
The relationship between Prince Hal and John Falstaff, a favorite of Shakespeare scholars, is the focus of this condensed adaptation.
A play by the Nobel winner Jon Fosse gets a rare staging, but New Yorkers will have to wait a little longer to see a production that captures the Norwegian writer’s haunting universe.
In this mentalist show, the magician asks his audience: “What is meaningful to you?”
Matthew Gasda directs his new play, which was inspired by Sam Altman’s 2023 ouster from OpenAI.
El legendario actor habla de la profecía que cambió su vida, de su desaire en los Oscar y de su próximo papel junto a un “complicado” Jake Gyllenhaal en “Otelo” en Broadway.
With their Tent Theater Company, Tim Sanford and Aimée Hayes want to raise the profiles of older artists and keep them from being sidelined.
Workers say the move is overdue, but theater companies fear it will drive up costs in a wounded sector that has yet to recover from the pandemic.
“Everything in the show moves,” said Ruthlyn Salomons, whose job for 25 years has been to oversee all the parts, people and puppets of this kinetic musical.
The legendary actor discusses the prophecy that changed his life, his Oscar snub and his upcoming role starring alongside a “complicated” Jake Gyllenhaal in “Othello” on Broadway.
Paul Tazewell, who was nominated for an Oscar for “Wicked,” makes time for yoga before a day of shopping, museums and dinner with friends.
He had an acclaimed Broadway career in musicals and comedies, but moviegoers knew him mostly as the self-assured, easygoing friend of Mr. Allen’s insecure heroes.
Sophocles is suddenly everywhere on the city’s stages. In concurrent shows, Rami Malek is playing Oedipus and Brie Larson is taking on Elektra.
Matthias Lilienthal will take over running the Berlin playhouse, which has been lurching from crisis to crisis for years.
The Encores! revival of the musical from Mark Hollmann and Greg Kotis seems even more relevant today.
Also onstage in February: Calista Flockhart in a Sam Shepard revival, boldface names in Joy Behar’s “My First Ex-Husband” and a marionette made of ice.
The dance humor in Christopher Gattelli’s shows, like “Schmigadoon!” and “Death Becomes Her,” is underpinned by affection for musical theater and its excesses.
Three new plays onstage in Manhattan, “Kowalski,” “Mrs. Loman” and “Nina,” mine treasures of theater history.
According to Jordan Harrison’s museum piece of a play, we are long extinct by 2240. But the future has kept our Betamaxes.
After a delay, “Fake It Until You Make It,” the writer’s follow-up to her Broadway satire, “The Thanksgiving Play,” is finally onstage in Los Angeles.
She originated roles in four of his Broadway musicals between 1959 and 1987, and won a Drama Desk Award for her performance in “Sweeney Todd.”
The Apple TV+ series comes to the stage of the Kennedy Center with its snark and affection for classic Broadway musicals intact.
The musical, based on the life of Alicia Keys and featuring her music, is running on Broadway and begins a national tour this fall.
Shakespeare’s overstuffed late play gets an entertaining refresh Off Broadway, where Irish Rep is also offering a program of Samuel Beckett shorts.
Over 34 years, the show gave Fred Armisen a drumming gig, “Arrested Development” a hilarious story line and more. Now the cultural sensation comes to an end in New York.
Looking for something to do in New York? Catch Margaret Cho’s “sons” at Joe’s Pub, groove to 070 Shake or watch collections of animated shorts at the BAMkids Film Festival.
The “Tonight Show” host is performing in the new comedy “All In,” which features a starry cast. “It’s a dream,” he said.
In a new solo play about ordinary people under bombardment in Gaza, a woman rehearses how she would escape her building if Israeli forces were to strike.
Menzel, a fan favorite since “Rent,” is back on Broadway in “Redwood,” and this time she’s climbing conifers.
In “Eureka Day,” changes were made to a scene because “the laughter was so robust backstage, they couldn’t hear the cues.”
Peter Mills Weiss shared details of a week of “everyone doing everything all the time, and by the seat of everyone’s pants.”
Kara Young spends a rare day off brunching with her family in Harlem and popping into beauty supply stores along 125th Street.
The Portuguese director Tiago Rodrigues’s latest show, “No Yogurt for the Dead,” is based on his dying father’s scribbles but resists sharing much emotion.
With less touring, it’s been a while since all the world has been its stage, but the troupe is working with the Chicago Shakespeare Theater — where it has family ties.
Mason, an associate director of “The Roommate,” which opened on Broadway last week, stepped in as Patti LuPone’s counterpart.
Broadway is still recovering from the pandemic. A state tax-credit program has helped, but watchdogs say it aids some shows that don’t need a boost.
Covid brought live performance to a halt. Now the audience for pop concerts and sporting events has roared back, while attendance on Broadway and at some major museums is still down.
In an effort to entice audiences back after the pandemic, Britain’s National Theater is testing a 6:30 p.m. curtain.
The small theaters that help make the city a theater capital are cutting back as they struggle to recover from the pandemic.
Readers discuss the decline in theater subscribers after the pandemic. Also: Northern Ireland; food allergies; a Covid playmate; anti-China bias.
Michael Paulson spoke with producers and artistic directors at nonprofit theaters across the country about the crisis their industry is facing.
As they struggle to recover after the pandemic, regional theaters are staging fewer shows, giving fewer performances, laying off staff and, in some cases, closing.
Suzan-Lori Parks wrote one play a day for 13 months during the pandemic. Those stories come to life onstage in the form of monologues, dialogues and songs at Joe’s Pub.
When shuttered venues embraced streaming during the pandemic, the arts became more accessible. With live performance back, and streams dwindling, many feel forgotten.
The veteran performance artist Karen Finley leads the audience through the troubles that plagued New York City at the peak of the pandemic.
A ceremony for the awards, celebrating work Off and Off Off Broadway, will be held Monday, but organizers decided to announce the winners in advance.
Broadway shows grossed $51.9 million during the holiday week, the most since 2019, and “The Lion King” set a record for the most earned by any show in a single week.
Stakeholders including Patti LuPone and Lynn Nottage share their real-time reactions to New York theater’s shutdown and reopening in Amy Rice’s documentary.
After one holiday season lost to the pandemic and another curtailed by Omicron, seasonal staples including “The Nutcracker,” “A Christmas Carol” and “Messiah” are back in force.
An annual survey, suspended during the pandemic, resumes and finds theaters nationally doing fewer shows and torn between escapism and ambition.
Responses to an essay that criticized Anthony Fauci’s handling of the pandemic. Also: Migrants as props; abortion rights; David Milch; theater’s lessons.
Some audience members are turned off by mask mandates. Others won’t attend indoor performances without them. Arts presenters are taking different approaches this season.
After a two-year pandemic delay, villagers in the German town of Oberammergau are once again re-enacting the story of Jesus’s life and death, with some changes.
“American Buffalo,” at Circle in the Square, is sticking with masking till it closes, July 10, citing the “proximity of the audience to the actors” and “the staging in the round.”
Beginning in July, Broadway will no longer require audiences to mask up. Actors and theater workers aren’t loving the idea.
Beginning in July, Broadway will no longer require audiences to mask up. Actors and theater workers aren’t loving the idea.
Most theaters stopped requiring proof of vaccination this spring. Now they are going “mask optional.”
“The Lehman Trilogy” won best play, “Company” won best musical revival and “Take Me Out” won best revival of a play at the 75th Tony Awards.
The musical, which opened in 2017, is the third to announce a closing in two days, as many shows struggle in a pandemic-softened marketplace.
The decision comes at a time when New York City has declared a “high Covid alert.”
At times it felt like a game of survival. But during a Broadway season unlike any other, productions showed their resourcefulness while learning how to live with Covid.
The musical, which shuttered temporarily in January as the Omicron variant spread, has struggled with the slow return of tourists to the theater.
While for-profit theater owners and operators agreed to stop checking proof of vaccination this week, several nonprofit Broadway theaters continue to require it.
Broadway enthusiasts, art aficionados and food lovers will find new offerings in and around Times Square and in neighborhoods below 42nd Street, heralding the promise of a vibrant recovery.
The revival, directed by Camille A. Brown, received strong reviews but struggled to attract audiences and overcome challenges posed by Covid.