How ‘Data’ Channels the Shock of Right Now
In Matthew Libby’s play, a brilliant young computer programmer finds himself at the center of one of the most contentious issues of the moment: immigration.
In Matthew Libby’s play, a brilliant young computer programmer finds himself at the center of one of the most contentious issues of the moment: immigration.
The Smithsonian said all of its museums, research centers and the National Zoo would be closed on Sunday and Monday. Most Broadway shows were still expected to make their curtains.
Broadway, Hollywood and television have been kind to Marc Shaiman. But there’s a reason the subtitle of his new memoir is “Showbiz Stories From a Sore Winner.”
Miet Warlop’s work is visually breathtaking, but there are deep questions to ponder beneath the showy surfaces.
The curtain is about to come down on two jukebox musicals, a thriller by Tracy Letts, and other Broadway productions.
January is not a dry month for performance in New York, and this season, there were wide-ranging views of how bodies — more than words — can tell stories.
Musicians, theater groups and others from overseas are facing visa challenges and rising costs, posing a looming crisis for the performing arts sector.
The immersive adaptation of Andrew Lloyd Webber’s musical is a hit, with some people coming back a dozen times since it began performances last summer.
She was a founder and the longtime artistic director of Shakespeare & Company, a repertory theater in western Massachusetts, and directed all his plays.
Everyone expected “The Kholops,” a drama exploring oppression, to be shut down soon after it opened in St. Petersburg. Instead, it is two years into a sold-out run.
Erica Schmidt’s discordant comedy, starring Hamish Linklater and Miriam Silverman, is a farce clumsily straddling two genres.
Jade Franks mines the awkwardness of social mobility in her one-woman show “Eat the Rich.”
He was a familiar face from Broadway productions of “Company,” “Titanic” and “Six Degrees of Separation” and numerous film and TV appearances.
Other picks include “Bat Out of Hell: The Musical,” a new season of Playing on Air podcasts and “Lazarus,” featuring the music of David Bowie.
Though the show will close in New York next month, a North American tour will continue, and productions in Australia, Germany and South Korea are planned.
In 1970, he founded London’s Young Vic, an adventurous “people’s theater” — the Who took the stage at one point — before shaking up the Brooklyn Academy of Music.
The composer Michael Gordon collaborated with Foreman on “What to Wear” in 2006. The opera makes its belated New York premiere at BAM on Thursday.
The play, about a man who spends decades on death row before being exonerated by DNA evidence, will have a 16-week run this spring.
Audiences can embark on a very different type of theatrical experience in a new play at the Shed, blending the physical world with digital content.
As a journalist, I thought I’d never join the ranks of obsessive superfans — until I suddenly became one.
Ante la desgarradora fragilidad de nuestra existencia, son las palabras, las películas, los libros quienes nos extienden una mano salvadora.
“I see why nerd culture is so exciting and fun,” said the “Drag Race” alum ahead of his Broadway debut in “Moulin Rouge.”
Despite a ceaseless battle against government censors, he was celebrated as one of his country’s greatest auteurs, winning praise from luminaries like Martin Scorsese.
The mayor said a new initiative by the Under the Radar festival exemplified an arts affordability agenda that he intends to pursue.
Tracy Letts’s eerily topical, decades-old play about a woman’s descent into a world of conspiracy theories makes its nerve-rattling Broadway debut.
Scholars and artists at Sorbonne University trained artificial intelligence to imitate the French playwright’s themes, structures and sense of humor. The result is a new play.
Several festivals run across New York this month, but none are as big and eclectic as Under the Radar, founded in 2005. Here are our picks for what to see.
The Albanian Greek director Mario Banushi talks about his dreamlike “Mami,” which leads the Under the Radar festival in New York this month.
The Shakespearean monologue that is featured twice in “Hamnet” has long informed the movies, often in surprising ways that can make us rethink the words.
We turn to art to make sense of a life that is heartbreakingly fragile.
He helped create the Off Off Broadway theater scene, wrote and acted in Andy Warhol’s films, and made his apartment into a singular exhibit of Americana.
She stole the show in “And Just Like That …,” but theater is where the actress’s heart lies.
The Washington National Opera said the “Wicked” composer was scheduled to host its annual event at the center this spring.
After years of playing smarmy characters, the actor is stepping up as the lead in a comedy about a grumpy but charming doctor.
In “Marjorie Prime” and other works, Jordan Harrison delivers sweet-bitter anatomies of human connection mediated through technology destined to supersede us.
Welcome to a new year. It promises Ian McKellen, fresh jazz, free exhibitions, restored films and comedy with latkes.
Directores, actrices, políticas, médicos. Todos ellos tuvieron su momento bajo los reflectores y dejan una marca indeleble en la historia.
Over six decades she worked in theater, opera, film and television alongside luminaries like Alvin Ailey, Lena Horne, Agnes de Mille and Harry Belafonte.
The entertainer, who would have turned 100 this month, reinvented himself by starring in the musical version of Clifford Odets’s prizefighting drama “Golden Boy.”
Marquee names all, they found international fame in the arts, politics, the sciences and beyond.
Dahlak Brathwaite’s “Try/Step/Trip,” part of the Under the Radar festival, uses the language of step to express the liberating and restricting power of groups.
Critics look back on a year when the balcony scene in “Evita” became a social media phenomenon and audiences swooned for the bear in “Paddington: The Musical.”
Naples, Fla., and Milwaukee are quite different, but have one thing in common: They are home to regional theaters that are thriving.
Broadway is almost back, and pop music tours and sports events are booming. But Hollywood, museums and other cultural sectors have yet to bounce back.
Stagehands and other backstage workers have gone on strike against a prominent theater, and two productions have been canceled.
With less touring, it’s been a while since all the world has been its stage, but the troupe is working with the Chicago Shakespeare Theater — where it has family ties.
Mason, an associate director of “The Roommate,” which opened on Broadway last week, stepped in as Patti LuPone’s counterpart.
Broadway is still recovering from the pandemic. A state tax-credit program has helped, but watchdogs say it aids some shows that don’t need a boost.
Covid brought live performance to a halt. Now the audience for pop concerts and sporting events has roared back, while attendance on Broadway and at some major museums is still down.
In an effort to entice audiences back after the pandemic, Britain’s National Theater is testing a 6:30 p.m. curtain.
The small theaters that help make the city a theater capital are cutting back as they struggle to recover from the pandemic.
Readers discuss the decline in theater subscribers after the pandemic. Also: Northern Ireland; food allergies; a Covid playmate; anti-China bias.
Michael Paulson spoke with producers and artistic directors at nonprofit theaters across the country about the crisis their industry is facing.
As they struggle to recover after the pandemic, regional theaters are staging fewer shows, giving fewer performances, laying off staff and, in some cases, closing.
Suzan-Lori Parks wrote one play a day for 13 months during the pandemic. Those stories come to life onstage in the form of monologues, dialogues and songs at Joe’s Pub.
When shuttered venues embraced streaming during the pandemic, the arts became more accessible. With live performance back, and streams dwindling, many feel forgotten.
The veteran performance artist Karen Finley leads the audience through the troubles that plagued New York City at the peak of the pandemic.
A ceremony for the awards, celebrating work Off and Off Off Broadway, will be held Monday, but organizers decided to announce the winners in advance.
Broadway shows grossed $51.9 million during the holiday week, the most since 2019, and “The Lion King” set a record for the most earned by any show in a single week.
Stakeholders including Patti LuPone and Lynn Nottage share their real-time reactions to New York theater’s shutdown and reopening in Amy Rice’s documentary.
After one holiday season lost to the pandemic and another curtailed by Omicron, seasonal staples including “The Nutcracker,” “A Christmas Carol” and “Messiah” are back in force.
An annual survey, suspended during the pandemic, resumes and finds theaters nationally doing fewer shows and torn between escapism and ambition.
Responses to an essay that criticized Anthony Fauci’s handling of the pandemic. Also: Migrants as props; abortion rights; David Milch; theater’s lessons.
Some audience members are turned off by mask mandates. Others won’t attend indoor performances without them. Arts presenters are taking different approaches this season.
After a two-year pandemic delay, villagers in the German town of Oberammergau are once again re-enacting the story of Jesus’s life and death, with some changes.
“American Buffalo,” at Circle in the Square, is sticking with masking till it closes, July 10, citing the “proximity of the audience to the actors” and “the staging in the round.”
Beginning in July, Broadway will no longer require audiences to mask up. Actors and theater workers aren’t loving the idea.
Beginning in July, Broadway will no longer require audiences to mask up. Actors and theater workers aren’t loving the idea.
Most theaters stopped requiring proof of vaccination this spring. Now they are going “mask optional.”
“The Lehman Trilogy” won best play, “Company” won best musical revival and “Take Me Out” won best revival of a play at the 75th Tony Awards.
The musical, which opened in 2017, is the third to announce a closing in two days, as many shows struggle in a pandemic-softened marketplace.
The decision comes at a time when New York City has declared a “high Covid alert.”
At times it felt like a game of survival. But during a Broadway season unlike any other, productions showed their resourcefulness while learning how to live with Covid.
The musical, which shuttered temporarily in January as the Omicron variant spread, has struggled with the slow return of tourists to the theater.
While for-profit theater owners and operators agreed to stop checking proof of vaccination this week, several nonprofit Broadway theaters continue to require it.
Broadway enthusiasts, art aficionados and food lovers will find new offerings in and around Times Square and in neighborhoods below 42nd Street, heralding the promise of a vibrant recovery.
The revival, directed by Camille A. Brown, received strong reviews but struggled to attract audiences and overcome challenges posed by Covid.