Martin Benson, Regional Theater Impresario, Dies at 87
South Coast Repertory, which he founded with a partner, was a major force in Southern California theater. He directed more than 100 of its productions.
South Coast Repertory, which he founded with a partner, was a major force in Southern California theater. He directed more than 100 of its productions.
This is the story of the real-life whale from “Free Willy” and his odyssey back to the ocean. In Episode 5 of the “Good Whale” podcast, Keiko disappears in Icelandic waters. For four weeks, nobody knew what had happened to him. So we reimagined th...
The comedian behind the parody about the Australian breaker who became a summer celebrity said she was willing to make some changes to avoid legal drama.
Members of the cast of the 2008 Tony-winning revival of “South Pacific,” including Matthew Morrison and Kelli O’Hara, reunited for a benefit performance. The emotions were the guest of honor.
Making his Broadway debut as the show’s Emcee, the singer is reveling in what he calls “a thinking piece of musical theater.”
A bipartisan crowd honored Francis Ford Coppola, the Grateful Dead, Bonnie Raitt, Arturo Sandoval and the Apollo Theater. Some wondered if Donald J. Trump would attend next year.
“The Outsiders,” “Sunset Boulevard” and “Ragtime” were among the productions with stage moments that stood out this year.
Broadway roared back, but the kitties were downtown and the prayer service was in Brooklyn.
He conducted Broadway shows and worked with Bernadette Peters. But he was probably best known for writing the music for the darkly comic “Ruthless!”
Only the women who’ve played Elphaba and Glinda in the show’s two decades onstage understand why the roles are so taxing — and so rewarding, too.
Ms. Russell, who hasn’t missed a performance of her Off Broadway show in nearly 30 years, fills her day with pets, church, teaching and two shows.
A conversation about the musical’s transfer from stage to screen, and the lead actresses who are bringing new narratives to their roles.
The new musical, about a shipwreck and its aftermath, opened Nov. 19 at the Longacre Theater.
In “No President,” Nature Theater of Oklahoma creates its version of a story ballet, one burpee at a time.
Jay Wegman runs from rehearsals to lunches to shows for his job at N.Y.U. Skirball, then home for a “What We Do in the Shadows” episode or two.
The Broadway League, an industry trade organization, named Jason Laks as its new president. “I think our mission has to be more than to make it 2019 again,” Laks said.
After a performance of “The Devil Wears Prada” in London, John told the crowd that the effects of an eye infection were continuing to limit his eyesight.
A bare-bones revival of the Broadway musical grew on me with subsequent viewings, and the additional details I noticed bolstered my reporting.
In her various incarnations, the “Gypsy” character is always loud, always scary, but so different. Ben Brantley reflects on all the onstage Roses he has known.
La película de Disney la convirtió en una estrella. Ahora Cravalho, a sus 24 años, vuelve a la secuela, mientras debuta en Broadway y acepta papeles más atrevidos.
The duo won an Oscar for “Annie Hall.” Mr. Brickman went on to write Broadway shows, including “Jersey Boys,” and make movies of his own.
“Moana” made her a breakout star. Now Cravalho, at 24, is back in the sequel, while also making her Broadway debut and embracing edgier parts.
An incisive new book, “How Sondheim Can Change Your Life,” examines the extraordinary career of the master of the musical.
A new production in London, starring Ncuti Gatwa, releases Oscar Wilde’s 1895 comedy from period convention and brings it stunningly into the 21st century.
“The Light and the Dark” dramatizes the life of Artemisia Gentileschi, while “300 Paintings” was born during the fever dreams of Covid.
She was honored on Broadway for roles in “Pal Joey” and “No, No, Nanette” and then turned to TV, where she won three Daytime Emmys for her work on “Ryan’s Hope.”
“Elf the Musical,” inventive spins on “A Christmas Carol” and classic family fare: Here are some of our favorite shows of the season.
It’s Christmas at the sweatshop, but the mood fluctuates between ho ho ho and ho hum.
In Ethan Lipton’s musings on A.I., Mozart has a place alongside humpback whales.
The “Nosferatu” actor and the writer discuss solitude, self-editing and the playfulness of their work.
The new movie’s tie-ins are the logical endpoint for a Broadway show that always intended to be huge.
Much has changed since the show debuted on Broadway in 1966, but it’s what hasn’t changed that should worry us.
The troupe is also closing its Chicago company, but continues to perform in Berlin, Boston, Las Vegas and, soon, Orlando.
With less touring, it’s been a while since all the world has been its stage, but the troupe is working with the Chicago Shakespeare Theater — where it has family ties.
Down the stairs, out the doors and onto the sidewalk, a Broadway show hits the street. Here’s how they pull it off.
Katori Hall’s new play about sisters gathering after their mother’s death features standout performances but an overabundance of themes.
Hilarious star turns from Megan Hilty and Jennifer Simard make the mostly unfunny 1992 film into an intermittently memorable Broadway musical.
Bedlam’s country music show is a rollicking good time. But the New Group’s production of “Babe,” starring Marisa Tomei, is a frustrating one-act lacking cohesion.
With a solo show about grief and life, the comedian and composer brings her experimental musical comedy to an Off Broadway audience.
Box-office sales, discount booths, same-day rush: Here’s everything you need to know about nabbing seats to plays and musicals in Manhattan.
To create the costumes for the new “Wicked” movie, the filmmakers turned to a Tony Award winner who already knew his way around Oz.
A dark musical about a shipwreck and its aftermath, with songs by the Avett Brothers, anchors on Broadway.
Well-reviewed in London but poorly received in New York, the musical with an Elton John score will end its run on Dec. 8.
The first domestic TKTS outpost outside New York comes at a time of rising concern about ticket prices and theater economics.
The most famous French musical has never been popular in Paris. A major new production hopes to change that, reworking it for a contemporary French audience.
Neil Patrick Harris, Jane Krakowski, Debra Messing and Constance Wu star in the vulgar and entertaining new work from Robert O’Hara.
A beloved figure in the theatrical community, she redefined the role of dramaturg, influencing playwrights like David Adjmi and David Henry Hwang.
The campy supernatural movie comes to Broadway as a big, bawdy musical starring Megan Hilty and Jennifer Simard.
When he’s not herding performers at “Once Upon a Mattress,” Cody Renard Richard is bowling, catching up with theater friends and, to his surprise, bumping into Beyoncé.
The musical, starring Grey Henson, has gotten Buddy delightfully, entirely right. But he is trapped inside a creaky adaptation.
The televangelist defended gay men during the AIDS crisis. Now she’s getting perhaps the gayest tribute: a Broadway show led by Elton John.
Los espectadores y otros amantes de las artes escénicas se están dando cuenta de que esta práctica parece haberse convertido en la norma, no en la excepción.
The Civilians theater group has adapted a study of homosexuality into a work that explores the lives of lesbians and gay men in the early 20th century.
Test your knowledge, for never was a quiz of more woe than this of Juliet and her Romeo.
Tiago Rodrigues’s play is intentionally a work of provocation, but it is also stylized to create a helpful distance from events and ideas.
“Tammy Faye,” a bland, tonal mishmash of a show opening on Broadway, seems afraid to lean into what made the televangelist so distinctive.
Kenneth Branagh’s production of the Shakespeare classic speeds through the material and can’t quite figure out its tone.
In this first-date comedy, Michael Zegen and Heléne Yorke play people who might just be willing to settle for each other.
Many Tony Award-winning musicals and starry plays (Robert Downey Jr., anyone?) are wrapping up their runs in January. Catch them while you can.
This year’s show is an underwhelming exercise in nostalgia. But it’s still a joy to be under the big top with acts like the Wheel of Destiny.
A staple of British television, he played Churchill three times over a long career. Onstage, he was King Lear, Macbeth and Willy Loman.
Artificial intelligence has become a subject for people in the art and theater worlds who are worried about being replaced by it.
A supersmart musical about making a connection arrives on Broadway in a joyful, heartbreaking, cutting-edge production.
After Han Kang won the Prize in Literature last month, a stage version of her novel “The Vegetarian” sold out its run at a struggling Paris theater.
Mason, an associate director of “The Roommate,” which opened on Broadway last week, stepped in as Patti LuPone’s counterpart.
Broadway is still recovering from the pandemic. A state tax-credit program has helped, but watchdogs say it aids some shows that don’t need a boost.
Covid brought live performance to a halt. Now the audience for pop concerts and sporting events has roared back, while attendance on Broadway and at some major museums is still down.
In an effort to entice audiences back after the pandemic, Britain’s National Theater is testing a 6:30 p.m. curtain.
The small theaters that help make the city a theater capital are cutting back as they struggle to recover from the pandemic.
Readers discuss the decline in theater subscribers after the pandemic. Also: Northern Ireland; food allergies; a Covid playmate; anti-China bias.
Michael Paulson spoke with producers and artistic directors at nonprofit theaters across the country about the crisis their industry is facing.
As they struggle to recover after the pandemic, regional theaters are staging fewer shows, giving fewer performances, laying off staff and, in some cases, closing.
Suzan-Lori Parks wrote one play a day for 13 months during the pandemic. Those stories come to life onstage in the form of monologues, dialogues and songs at Joe’s Pub.
When shuttered venues embraced streaming during the pandemic, the arts became more accessible. With live performance back, and streams dwindling, many feel forgotten.
The veteran performance artist Karen Finley leads the audience through the troubles that plagued New York City at the peak of the pandemic.
A ceremony for the awards, celebrating work Off and Off Off Broadway, will be held Monday, but organizers decided to announce the winners in advance.
Broadway shows grossed $51.9 million during the holiday week, the most since 2019, and “The Lion King” set a record for the most earned by any show in a single week.
Stakeholders including Patti LuPone and Lynn Nottage share their real-time reactions to New York theater’s shutdown and reopening in Amy Rice’s documentary.
After one holiday season lost to the pandemic and another curtailed by Omicron, seasonal staples including “The Nutcracker,” “A Christmas Carol” and “Messiah” are back in force.
An annual survey, suspended during the pandemic, resumes and finds theaters nationally doing fewer shows and torn between escapism and ambition.
Responses to an essay that criticized Anthony Fauci’s handling of the pandemic. Also: Migrants as props; abortion rights; David Milch; theater’s lessons.
Some audience members are turned off by mask mandates. Others won’t attend indoor performances without them. Arts presenters are taking different approaches this season.
After a two-year pandemic delay, villagers in the German town of Oberammergau are once again re-enacting the story of Jesus’s life and death, with some changes.
“American Buffalo,” at Circle in the Square, is sticking with masking till it closes, July 10, citing the “proximity of the audience to the actors” and “the staging in the round.”
Beginning in July, Broadway will no longer require audiences to mask up. Actors and theater workers aren’t loving the idea.
Beginning in July, Broadway will no longer require audiences to mask up. Actors and theater workers aren’t loving the idea.
Most theaters stopped requiring proof of vaccination this spring. Now they are going “mask optional.”
“The Lehman Trilogy” won best play, “Company” won best musical revival and “Take Me Out” won best revival of a play at the 75th Tony Awards.
The musical, which opened in 2017, is the third to announce a closing in two days, as many shows struggle in a pandemic-softened marketplace.
The decision comes at a time when New York City has declared a “high Covid alert.”
At times it felt like a game of survival. But during a Broadway season unlike any other, productions showed their resourcefulness while learning how to live with Covid.
The musical, which shuttered temporarily in January as the Omicron variant spread, has struggled with the slow return of tourists to the theater.
While for-profit theater owners and operators agreed to stop checking proof of vaccination this week, several nonprofit Broadway theaters continue to require it.
Broadway enthusiasts, art aficionados and food lovers will find new offerings in and around Times Square and in neighborhoods below 42nd Street, heralding the promise of a vibrant recovery.
The revival, directed by Camille A. Brown, received strong reviews but struggled to attract audiences and overcome challenges posed by Covid.