
Barbara Walters Film Emphasizes the Highlights in a Mixed Legacy
“Tell Me Everything” is more of a puff piece than its subject might have liked, but the film is at its best examining TV journalism’s evolution.
“Tell Me Everything” is more of a puff piece than its subject might have liked, but the film is at its best examining TV journalism’s evolution.
In her tender, funny feature directing debut, Eva Victor tells the story of a woman, the trauma that changed her and the life she kept on living.
A couple of loser cinephiles concoct a dumb heist plan, and hilarity is the last thing that ensues.
In this gritty film by River Gallo, an intersex character has to navigate New Jersey gangsters and double crosses.
Mariska Hargitay sets out to learn about her mother, the Hollywood actress Jayne Mansfield, through intimate conversations with her siblings.
Everyone’s favorite campy killer doll returns in a movie that has some thoughts about artificial intelligence.
Emma Mackey and Fiona Shaw star in this drama about a young woman in a codependent relationship with her disabled mother.
In tanned, tousled form, the actor stars in a Formula One story about fast cars, last chances and pretty people by the director of “Top Gun: Maverick.”
Albert Serra’s mesmerizing documentary about a bullfighter faithfully depicts a violent tradition and the specter of death that suffuses it.
In a new documentary, the actress talks about the prejudice and loneliness she faced after becoming the rare Hollywood star who is deaf.
Beyond the somewhat silly premise of this Netflix animated film is a charming, funny and artfully punchy original universe.
An orphaned boy is whisked away on a visually wondrous cosmic adventure, but he returns home with mostly reassuring lessons.
The director returns to the postapocalyptic Britain he conjured in his 2002 movie “28 Days Later,” this time with a father and son running from flesh-eaters. Mom joins in, too.
This newly restored screwball comedy is a buoyant romp. The director revisits and refines the techniques used here in his later work in other genres.
Fawzia Mirza’s amiable feature debut traces the lives of a mother and her daughter in two coming-of-age tales.
In this empathetic debut feature, Kathleen Chalfant plays Ruth, a woman who moves into an assisted living facility and adapts to her new life.
A theater family sorts out its offstage drama in a coming-of-age movie starring Bryan Cranston and Allison Janney.
Rebel Wilson gamely plays the role of secret agent and bridesmaid in this action-thriller mixed with a rom-com.
The remarkable life of the first American woman in space is profiled in this diverting but tame documentary.
The film is a memoir of sorts for Jacinda Ardern, who governed at a time of multiple disasters. But it was misinformation that proved hardest to cope with.
A chimney sweep and his colleague get deep on the roofs of Oslo in Dag Johan Haugerud’s curious meditation on marriage and masculinity.
A flinty Iranian judoka competing in the World Judo Championships is menaced by her government in this absorbing political thriller.
Three hapless comics, played by Orlando Bloom, Bryce Dallas Howard and Nick Mohammed, infiltrate the criminal underworld.
A stellar cast led by Julianne Moore is unable to breathe life into this unsuccessful blend of maternal drama and crime caper.
In Jessie Maple’s restored 1981 drama, the first feature-length film by a Black woman, a heroin addict mentors a young boy and tries to find his footing.
The director Rithy Panh dramatizes events from 1978, when a group of outsiders was allowed to enter Cambodia under the Khmer Rouge.
The director Celine Song follows up her “Past Lives” with a side-eyeing update on the rom-com, starring Dakota Johnson, Pedro Pascal and Chris Evans.
This live action remake of the 2010 animated film is religiously faithful to the original. The result is exhilarating at times, if somewhat mechanical.
Netflix’s documentary about the catastrophe uses familiar techniques to spotlight the faulty judgment of Stockton Rush, who ran OceanGate.
A single mom in Atlanta (Taraji P. Henson) is having a very, very, very bad day.
In Nina Conti’s absurdist love story, a radio host and a new friend have nowhere to go but up.
Al Pacino speaks in an exaggerated accent and Dan Stevens looks overly concerned in this movie directed by David Midell.
A documentary looks at New York City residents pushing back against housing troubles.
Tom Hiddleston dances his way through a movie about death and dystopia, based on a Stephen King story, that has an incongruous feel-good vibe.
Erno Spiegel was spared because he was a twin. He went on to help others at Auschwitz, as detailed in this documentary by Perri Peltz and Matthew O’Neill.
The film follows dads-to-be Dom (Nick Kroll) and Cole (Andrew Rannells) as they make a series of disastrously wrong turns during their anniversary trip.
The Australian director Sean Byrne combines the serial killer and shark movie subgenres into a trashy good time.
Ana de Armas twirls into the franchise as a ballerina-assassin with vengeance on her mind in this by-the-numbers cash grab.
The 1983 ABC movie “The Day After” was a landmark moment that proved contentious even before it aired, as a new documentary shows.
This documentary chronicles the reboot and reopening in Las Vegas of the acrobatic show “O,” which shutdown during the pandemic.
This enlightening, troubling documentary chronicles life (and death) among residents in a long-term care facility during the heights of the pandemic.
Stakeholders including Patti LuPone and Lynn Nottage share their real-time reactions to New York theater’s shutdown and reopening in Amy Rice’s documentary.
The filmmaker David Siev chronicles his family’s struggle to keep their Michigan restaurant afloat through the pandemic in this hermetic documentary.