Over two nights at Carnegie Hall, Andris Nelsons and the orchestra reveled in the composer’s sonic riches but played with emotional reserve.
An exceptional account of Bach’s Mass in B minor, traditional and unusual string quartets, and Thomas Adès suites are among the highlights.
Driven by creative leadership and generous donors, the company, long a beacon of innovation, is bucking trends in the field.
Thomas Oliemans came to New York to sing at the Metropolitan Opera. While he was here, he took a musical walking tour.
Expanding my instrument’s repertoire takes months of practicing, experimentation and personal sacrifices. But it has made me believe in possibility.
The soprano Natalie Dessay and her daughter, Neïma Naouri, team up to explore one of theater’s most toxic mother-daughter relationships.
The star soprano, who lost work after Russia invaded Ukraine because of her past support of President Vladimir V. Putin of Russia, will return to the stage in Zurich and London.
Matthew Muckey and Liang Wang, who were fired by the orchestra last fall, filed amended complaints saying an investigation by the Philharmonic was biased against them.
Guest conductors and the firebrand soloists Patricia Kopatchinskaja and Alisa Weilerstein brought welcome energy to David Geffen Hall.
The mezzo-soprano Anita Rachvelishvili, who suffered vocal problems during and after pregnancy, is suing the opera company — and the union that represented her — after she lost work.
He revived interest in a “problem child” in the pantheon of high romantic composers, bringing Berlioz overdue recognition as one of France’s greatest composers.
Watch and listen to recent highlights, including Nicole Scherzinger on Broadway, a pair of Janacek operas and Cécile McLorin Salvant.
The legacy of this composer and conductor may not be in his rarely performed works, but in how we think about music itself.
Patricia Kopatchinskaja, making her New York Philharmonic debut this week, has become one of music’s quirkiest stars by breathing new life into standards.
La pianista argentinosuiza de 83 años de edad está en el apogeo de su potencia. Pero de eso no quiere hablar.
The summer lineup will include eight premieres, including new works by Suzan-Lori Parks, Whitney White and Bobbi Jene Smith.
At 83, the Argentine-Swiss pianist is at the peak of her powers. But she doesn’t want to talk about it.
The venerable quartet returned to Zankel Hall with a typically eclectic program and a newfound emotional intensity.
Joana Mallwitz, one of Germany’s fastest rising stars, makes her Metropolitan Opera debut in “The Marriage of Figaro” on Monday.
The center’s opera company and orchestra are planning typical seasons. But one opera was withdrawn from the lineup by the artists who created it, who objected to the president’s takeover.
A new take on Wynton Marsalis’s “Blues Symphony,” a piano cycle by Gregory Spears and Rosa Feola’s solo debut are among the highlights.
He arrived on a mission to reshape the ensemble as its music director. Now, as he departs, he’s still making sense of his pandemic-interrupted tenure.
Covid brought live performance to a halt. Now the audience for pop concerts and sporting events has roared back, while attendance on Broadway and at some major museums is still down.
Patrick Milando, an accomplished French horn player, now splits his time between the orchestra pit and the cockpit, where he teaches budding pilots like he himself once was.
“Angel Island,” an oratorio by Huang Ruo, brings to life the stark poetry of the people who were detained on the California island in the early 1900s.
Gary Graffman, who is turning 95, is a man of many enthusiasms, including citrus infusions.
“It seemed like a switch flipped right before Thanksgiving,” the leader of the Chicago Symphony said.
Readers praise plans for more contemporary works. Also: Zelensky and American values; protecting the minority; remote work; the Groucho exception.
After one holiday season lost to the pandemic and another curtailed by Omicron, seasonal staples including “The Nutcracker,” “A Christmas Carol” and “Messiah” are back in force.
The benefits of group (music) therapy.
Many arts groups, worried about alienating older patrons, have maintained strict rules. Now “the time has come to move on,” one leader said.
Attendance lagged in the comeback season, as the challenges posed by the coronavirus persisted. Presenters hope it was just a blip.
The Wu Tsai Theater will honor a $50 million gift from Joseph Tsai, a founder of the Chinese e-commerce giant Alibaba, and Clara Wu Tsai, a philanthropist.
The decision will make San Antonio the largest American city without a major orchestra.
The decision will make San Antonio the largest American city without a major orchestra.
As it ended a challenging pandemic return, the Met had one last marathon: a matinee, an evening performance, and then moving out as American Ballet Theater moved in.
After a stronger-than-expected season, the orchestra said it would reverse pay cuts imposed at the height of the pandemic.
Amid a labor battle, the continuing pandemic and war in Ukraine, it often felt as though the real drama was in simply putting on a show.