The center’s summertime music series has a limited outdoor run this week.
After months of livestreamed marathons, the new music collective was back to in-person performance with a two-day festival.
Children under 12, who cannot be vaccinated, can show a negative test to attend. But the Metropolitan Opera and Carnegie Hall plan to bar them for now.
A festival broadens our understanding of Nadia Boulanger, the pathbreaking composer, conductor and thinker.
Our critics and writers have selected noteworthy cultural events to experience virtually and in person in New York City.
Dance music for piano, works inspired by California and a 17th-century Italian composer are among the highlights.
Salzburg is back, opening with a week of Ouverture Spirituelle concerts that project the ideal of paradise on the pandemonium of reality.
For all their shared experiences, each of these five artists has a unique story of struggles and triumphs.
Ernest Chausson’s “Le Roi Arthus,” with its fragile promise of renewal, is coming to the Bard SummerScape festival.
A dark, enigmatic staging of Mozart’s opera brings together the director Romeo Castellucci and the conductor Teodor Currentzis.
A flood disaster in China.
The success of some artists of Asian descent obscures the fact that many face routine racism and discrimination.
Jennifer Koh, an acclaimed soloist, calls on classical music to make space for artists of Asian descent, who remain marginalized in the field.
Oksana Lyniv will open the festival, founded by Wagner to present his own operas, leading “Der Fliegende Holländer.”
Pauline Viardot, born 200 years ago this weekend, was a famous singer, as well as a composer whose music is being salvaged from obscurity.
Our critics and writers have selected noteworthy cultural events to experience virtually and in person in New York City.
The company has reached deals with the unions representing its chorus and stagehands. Now, to reopen in September, it needs to make a deal with its musicians.
Mena Mark Hanna, who has studied colonialism in classical music, will be the first person of color to lead the renowned arts group in Charleston, S.C.
The mood was festive as the Boston Symphony returned to its summer home for its first in-person performances since March 2020.
At the Aix-en-Provence Festival in France, it was hard for even beloved classics to live up to the elegant intensity of Kaija Saariaho’s “Innocence.”
The charismatic and canny Nikolaus Bachler, who has kept the Bavarian State Opera a world capital of music theater, is stepping down.
Alec Baldwin chooses Tchaikovsky. Darryl Pinckney picks Mahler. And more sweeping, powerful music.
We heard from some of our favorite artists about the music that moves them most.
“Because of the practice of music, I delve into the inner life of whatever we are. I don’t have any answers, but I keep poking around.”
Curtis Stewart, a violinist and New Yorker, played surprise performances around the city. The show was part of a program that is bringing Lincoln Center musicians to the city’s streets.