A box of 500 photographs, most of them black and white and in near-pristine condition, chronicle a family tree full of love and contradictions.
When T sent the artist a Polaroid camera and asked her to send back photos, she took a characteristically unexpected approach.
Photographs in honor of Hispanic Heritage Month. Which, in New York City, is pretty much every day.
Photographs in honor of Hispanic Heritage Month. Which, in New York City, is pretty much every day.
Valeria Scrilatti traveled to three African nations to explore the risks pregnancy poses for soon-to-be mothers, and the women who are working to help them.
One of the greatest Turkish photographers of his generation, Mr. Guler depicted the city with poignancy. He also photographed the famous worldwide.
Mark Peterson was awarded the W. Eugene Smith Grant for his work chronicling the rise of white nationalism in the United States.
She was a photo editor. Now she’s an events manager. Whitney Richardson discusses how her career shift at The Times has changed her tech habits.
LaToya Ruby Frazier, Laurie Simmons and more reflect on how the photographer helped them see things differently.
Hardware innovations? Nope. Instead, Google is emphasizing software improvements — particularly for images — with its newest Pixel smartphones.
Striking photography from Hurricane Michael and the recovery
As I dropped off one 18-year-old, I inherited more than two dozen other young adults: girls from around the world who were taking photos for an exciting, visually driven New York Times project.
She constructs scenes of African-Americans that merge life with the strangeness of dreams. “Her ability to get people to drop their guard is stunning,” a curator says.
The New York Times asked 22 young women to take photos for a project exploring daily life for girls around the world who are becoming adults this year.
The annual blessing of the animals at the Cathedral of St. John the Divine brought theological questions and a large sea turtle. But this year, no elephant.
Years after the Good Friday peace accords, Mariusz Smiejek took his camera on both sides of the walls that divide Protestants and Catholics in Belfast, gradually focusing on Protestant Loyalists.
For Dayanita Singh, photography is inseparable from its presentation, and she has spent years experimenting with unusual photo book formats to display her work.
Cindy Sherman’s new self-portraits are her first pure protagonists: gloriously, catastrophically themselves.
Decades after photographers captured the hip-hop scene that emerged in the South Bronx, contact sheets offer a valuable peek into how artists on both sides of the camera worked.
The Times was one of the last American daily newspapers to add color to its news pages. Here’s why.
When Lars Tunbjork accepted an assignment to create his own portrait of winter in Sweden, he attempted to confront the emotional darkness he associated with it.
Erin Schaff’s photos of Christine Blasey Ford, Brett Kavanaugh and Jeff Flake drew attention for their perspective. (She’s used to being the only woman in the room.)
The first people to view our planet from the moon were transformed by the experience. In this film, they tell their story.
The first people to see the Earth from the moon were transformed by the experience. In this film, they tell their story.
Tomaso Clavarino, a documentary photographer who had been following the Catholic abuse crisis for a few years, was struck by how survivors had been relegated to invisibility.
A new book examines Gordon Parks’s transformation over the formative decade before his time as the first black staff photographer at Life magazine.
Early on she photographed Hemingway, Garbo, Picasso and others. Then she married a publisher and later took over the house, one of Italy’s most important.
The photographer Gabriela Portilho examines personal style as a statement of identity, culture and strength on the streets of São Paulo, Brazil.
The evolution of the photographer Cristina De Middel maps the complex process of shedding clichés.
This week world leaders are meeting in New York, and climate change is on the agenda. And, meet the intrepid photographer behind our recent story from Greenland.
A reader points out that news photographs show Judge Brett Kavanaugh in suits, while his accuser, Christine Blasey Ford, looks much more casual, with “wind in her hair.” Our photo editor responds.
We sought sanctuary on a silly flotation device at a water park. We found refuge on a sailboat skimming calm waters. We cheered on racecars so loud that we could hardly think.
In 1958, these jazz soloists heeded a highly un-jazzlike 10 a.m. call to a stoop in Harlem for a photograph celebrating the music’s collective moment.
He was a New Jersey native enthralled by California. “The light had such physical presence; it looked as though you could lean against it,” he said.