Old ways of life are disappearing from Cespedosa de Tormes in western Spain, but Juan Manuel Castro Prieto wants to preserve the threads that join him to his ancestral village.
A collection of photographs of Mr. Bernstein, shot by some of the most famous photographers of the 20th century, capture the American classical music maestro on and off the stage.
For 150 years, the justices have sat, not always happily, for an extraordinary series of group portraits
On foot and by plane, Ragnar Axelsson is photographing the glaciers that cover his homeland, creating a poetic record of the structures for a future without them.
Lu Guang’s images have shown the world China’s dark side.
Paulina was as remote as a 15-year-old could be. And then I saw her photography.
Jake Naughton and Juan Anibal Sosa Iglesias reflect on joy, love and loss in their relationship through their collaborative photo book “When We Were Strangers.”
The deadline is Dec. 10.
Covering the tragic escalation of an epidemic
A photo long thought to be one of two known pictures of the artist’s face is actually of his brother Theo, researchers in Amsterdam said.
Conservation groups and others are asking social media users not to add precise location tags to photos of fragile ecosystems and wild animals.
An exhibition of over 30 new paintings and several other works is among this artist’s most fun to look at, and uncharacteristically generous and self-revealing.
In the age of image abundance, purges are a way of life.
In the age of image abundance, purges are a way of life.
Our photography roundup includes books by Abelardo Morell, Anne Brigman, Shomei Tomatsu and Lynsey Addario.
Getting a big group together this time of year can be a hassle. So spare everyone the endless phone notifications and email threads and try these methods instead.
A self-titled coffee-table book — subtitled “Somnyama Ngonyama, Hail the Dark Lioness” — collects the photographer’s black-and-white images to challenge global racism.
“Magnum China” collects decades-worth of images by Western photographers of a nation gripped by political conflict.
The history behind Ms. Lange’s photograph of Florence Owens Thompson has intrigued academics and photographers for decades. But a new book sheds fresh light on the portrait’s little-explored details.
We sent a photographer to look for the most fashionable kids in the city. She began on the first day of school and shot for two months. Here are the standouts.
When taking portraits, Arnold Newman was less interested in the details of his subject’s surroundings than with the symbols he could create with them.
When I set out to apply the Bill Cunningham treatment to the younger generation for The New York Times for Kids, my first challenge was simply finding them.
A recently disabled New York City photographer gets an education in the discrimination that people like him must face.
Roy DeCarava and Langston Hughes celebrated the art of living through difficult times in “The Sweet Flypaper of Life.”
A new exhibition challenges the perceived identity of the American South, at a time when the definition of regionalism itself is in flux.
For a new A.R. project, we combined 675 photos of the original torch of the Statue of Liberty to allow readers to see it up close as never before.
Photographs of the most populous borough reveal a new landscape being experienced by people new to the terrain, with little investment in Brooklyn’s past.
A series considered one of the towering achievements of American art reminds us that nothing can surpass the strange beauty of reality if a photographer knows where to look.
The British botanist Anna Atkins published her evocative cyanotypes of algae and seaweed 175 years ago. Now, the New York Public Library is celebrating her innovation.
A new book shows the unmatched trust and connection photographers at the Louisville Courier Journal had with their city’s most famous son: Muhammad Ali.
Google Photos, introduced in 2015, has become one of the most emotionally resonant pieces of technology today. It is also shaping our narratives along the way.
“Aunty!,” an exhibit curated by Laylah Amatullah Barrayn and Catherine E. McKinley, reveals photography’s role as a tool or weapon when investigating identity and empowerment.
In Istanbul, self-expression can be as simple as the way you tie your hijab, doff your flat cap or always, always dye your hair.
As fidelity to facts leads to hardships, the Bangladeshi photographer’s incarceration demonstrates how a government restricts expression and criticism.